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Problems of Governance in South Asia Konark Pub Pvt Ltd? India) Centre for Policy Research (New Delhi? V. A. Pai Panandiker? V. A. Panandiker? KonarkPubPvtLtd? India)CentreforPolicyResearch(NewDelhi? V.A.PaiPanandiker? V.A.Panandiker? ユーズドブック(洋書)-History? ユーズドブック(洋書)-Science? Substores-UnknownASINs-53? Subjects-History-Asia? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-SocialSciences-PoliticalScience-General? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-General Surprising Science Puzzles Orient Paperbacks,India? Erwin Brecher? OrientPaperbacks,India? ErwinBrecher? ユーズドブック(洋書)-Entertainment? ユーズドブック(洋書)-Science? Subjects-Entertainment-Puzzles&Games? Subjects-Science-General Science Quiz Book Pustak Mahal,India? Rajeev Garg? PustakMahal,India? RajeevGarg? ユーズドブック(洋書)-Entertainment? ユーズドブック(洋書)-Science? Subjects-Entertainment-Puzzles&Games? 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Subjects-Professional&Technical-Engineering-Chemical-PolymerChemistry? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Pathology-ClinicalChemistry? Subjects-Science-Chemistry-General&Reference? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-General Subjects-Science-Medicine-Specialties-Pathology-ClinicalChemistry? Catalytic Synthesis of Sulfides, Sulfoxides and Sulfones (Sulfur Report, Vol 10, Part 4, 1991) Harwood Academic Pub? A. V. Mashinka? HarwoodAcademicPub? A.V.Mashinka? Substores-UnknownASINs-48? Subjects-Science-Chemistry-Analytic? Subjects-Science-Chemistry-Organic-Synthesis? Subjects-Science-Chemistry-Catalysis? Subjects-Science-General Fuzzy Clustering Models and Applications (Studies in Fuzziness and Soft Computing , Vol 9) Springer-Verlag? Mika Sato? Yoshiharu Sato? L. C. Jain? Springer-Verlag? MikaSato? YoshiharuSato? L.C.Jain? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Professional&Technical? Subjects-Computers&Internet-Networking-DataintheEnterprise-StatisticalComputing? Subjects-Computers&Internet-Software-Design&Development-SoftwareDesign? Subjects-Computers&Internet-Software-Design&Development-SoftwareDevelopment? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-NeuralNetworks? Subjects-Computers&Internet-ComputerScience-Algorithms-FuzzyLogic? Subjects-Computers&Internet-Databases-General? Subjects-Computers&Internet-Hardware-SystemArchitecture-ComputerDesign? Subjects-Computers&Internet-General? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-Statistics? Subjects-Science-General Subjects-Science-Mathematics-Applied-Probability&Statistics? Soft Computing Techniques in Knowledge-Based Intelligent Engineering Systems Approaches and Applications (Studies in Fuzziness and Soft Computing, Vol. 10) Springer-Verlag? L. C. Jain? Springer-Verlag? L.C.Jain? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Professional&Technical? Subjects-Business&Investing-Management&Leadership-ManagementScience? Subjects-Computers&Internet-Networking-DataintheEnterprise-ExpertSystems? Subjects-Computers&Internet-Software-Design&Development-SoftwareDesign? Subjects-Computers&Internet-Software-Design&Development-SoftwareDevelopment? Subjects-Computers&Internet-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-BusinessManagement-Management&Leadership-ManagementScience? Subjects-Science-General Subjects-Science-Technology-General&Reference Handbook of Limnology and Water Pollution With Practical Methodology South Asia Books? S. M. Das? SouthAsiaBooks? S.M.Das? ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Science? Substores-UnknownASINs-53? Subjects-Outdoors&Nature-Ecology-General? 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Advances in Energy Systems and Technology Academic Press Inc.,U.S.? Peter L Auer? AcademicPressInc.,U.S.? PeterLAuer? ジャンル別? Subjects-Science-Technology-General&Reference Advances in Food and Nutrition Research (Advances in Food and Nutrition Research) Academic Pr? Steve L. Taylor? AcademicPr? SteveL.Taylor? ジャンル別? Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Health,Mind&Body-Nutrition-General? Subjects-Medicine-SpecialTopics-Nutrition? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Professional&Technical-Medical-BasicSciences-Nutrition? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-FoodSciences-Biotechnology&Microbiology? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-FoodSciences-General? Subjects-Science-Education-Research? Subjects-Science-Experiments,Instruments&Measurement-Methodology&Statistics? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-FoodScience? Subjects-Science-Medicine-SpecialTopics-Nutrition? Advances In Quantum Chemistry Theory of the Interaction of Swift Ions with Matter (Advances in Quantum Chemistry) Academic Pr? Remigio Cabrera-Trujillo? John R. Sabin? Remigio Trujillo-Cabrere? Per-Olov Lowdin? Erkki Brandas? AcademicPr? RemigioCabrera-Trujillo? JohnR.Sabin? RemigioTrujillo-Cabrere? Per-OlovLowdin? ErkkiBrandas? ジャンル別? Subjects-Medicine-Specialties-Pathology-ClinicalChemistry? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Pathology-ClinicalChemistry? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Physical&Theoretical? Subjects-Professional&Technical-ProfessionalScience-Physics-MolecularPhysics? Subjects-Science-Chemistry-Physical&Theoretical-General? Subjects-Science-Chemistry-Physical&Theoretical-QuantumChemistry? Subjects-Science-General Subjects-Science-Physics-MolecularPhysics? Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-Specialties-Pathology-ClinicalChemistry? Advances in Space Science and Technology Academic Press Inc.,U.S.? Frederick I Ordway? AcademicPressInc.,U.S.? FrederickIOrdway? ジャンル別? Subjects-Science-Technology-General&Reference Application and Implementation of Finite Element Methods Academic Pr? J. E. Akin? AcademicPr? J.E.Akin? ジャンル別? Subjects-Science-Mathematics-Applied-General? Subjects-Science-Mathematics-Applied-DifferentialEquations? Subjects-Science-Technology-General&Reference Phase Diagrams (Refractory Materials Monograph) Academic Press Inc.,U.S.? Allen M. Alper? AcademicPressInc.,U.S.? AllenM.Alper? ジャンル別? Subjects-Science-Technology-General&Reference Computer Aided Geometric Design Proceedings of a Conference Held at the University of Utah, Salt Lake City, Utah, March 18-21, 1974 Academic Pr? R. Barnhill? AcademicPr? R.Barnhill? ジャンル別? 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Subjects-Science-Technology-General&Reference Practical Programmable Circuits A Guide to Plds, State Machines, and Microcontrollers Academic Pr? James D. Broesch? AcademicPr? JamesD.Broesch? ジャンル別? Subjects-Computers&Internet-ComputerScience-Circuitry-CircuitComponents? Subjects-Computers&Internet-Hardware-SystemArchitecture-ComputerDesign? Subjects-Engineering-Electrical&Electronics-Circuits? Subjects-Engineering-Electrical&Electronics-Electronics-Apparatus,Devices&Design? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-Apparatus,Devices&Design? Subjects-Science-General Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Protecting Your Ideas The Inventor's Guide to Patents Academic Pr? Joy L. Bryant? AcademicPr? JoyL.Bryant? ジャンル別? Subjects-Engineering-Patents&Inventions? Subjects-Law-PracticalGuides-General? 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AcademicPressInc.,U.S.? FelixBronner? A.Kleinzeller? ジャンル別? Subjects-Medicine-BasicScience-Physiology? Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-BasicScience-Physiology? The Concise Encyclopedia of the Ethics of New Technologies Academic Pr? Ruth Chadwick? AcademicPr? RuthChadwick? ジャンル別? Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Medicine-Physician&Patient-MedicalEthics? Subjects-Medicine-Reference-MedicalEncyclopedias? Subjects-Medicine-SpecialTopics-Biotechnology? Subjects-Nonfiction-Philosophy-Ethics&Morality? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-Education-Reference-Encyclopedias-Medical? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Professional&Technical-Medical-BasicSciences-Biotechnology? Subjects-Professional&Technical-Medical-Medicine-MedicalEthics? Subjects-Reference-Encyclopedias-Medical? 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Wavelets Theory, Algorithms, and Applications (Wavelet Analysis and Its Applications, Vol 5) Academic Pr? Laura Montefusco? C. K. Chui? Luigia Puccio? AcademicPr? LauraMontefusco? C.K.Chui? LuigiaPuccio? ジャンル別? Subjects-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General? Subjects-Science-General Subjects-Science-Mathematics-Infinity? Subjects-Science-Mathematics-MathematicalAnalysis? Subjects-Science-Mathematics-PureMathematics-Calculus? Subjects-Science-Mathematics-Applied-General? Subjects-Science-Physics-Acoustics&Sound? Subjects-Science-Technology-General&Reference Wavelets A Tutorial in Theory and Applications (Wavelet Analysis and Its Applications, Vol 2) Academic Pr? C. K. Chui? AcademicPr? C.K.Chui? ジャンル別? Subjects-Computers&Internet-Software-Design&Development-SoftwareDevelopment? 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Subjects-Science-General Subjects-Science-Technology-General&Reference Forensic Pathology Principles And Practice Academic Pr? David, M.D. Dolinak? Evan W. Matshes? Emma O., M.D. Lew? AcademicPr? David,M.D.Dolinak? EvanW.Matshes? EmmaO.,M.D.Lew? ジャンル別? Subjects-Medicine-Specialties-Pathology-ClinicalChemistry? Subjects-Medicine-Specialties-Pathology-General? Subjects-Medicine-AlliedHealthProfessions-MedicalTechnology? Subjects-Professional&Technical-Medical-AlliedHealthProfessions-MedicalTechnology? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Pathology-General? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Pathology-ClinicalChemistry? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-Specialties-Pathology-ClinicalChemistry? Subjects-Science-Medicine-Specialties-Pathology-General? Subjects-Science-Medicine-AlliedHealthProfessions-MedicalTechnology? Technology, Humans, and Society Toward a Sustainable World (Sustainable World Series) Academic Pr? Richard C. Dorf? AcademicPr? RichardC.Dorf? ジャンル別? Subjects-Business&Investing-Careers-Entrepreneurship? Subjects-Business&Investing-Economics-SustainableDevelopment? Subjects-Business&Investing-Economics-NaturalResources Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Economics? Subjects-Engineering-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Nonfiction-Economics-SustainableDevelopment? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Economics? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Accounting&Finance-Economics-SustainableDevelopment? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Reference-Careers-Entrepreneurship? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Technology&Society? Encyclopedia of Physical Science and Technology, 1991 Yearbook (Encyclopedia of Physical Science and Technology Yearbook) Academic Pr? Robert A. Meyers? AcademicPr? RobertA.Meyers? ジャンル別? Substores-UnknownASINs-5? Subjects-Computers&Internet-Programming? Subjects-Computers&Internet-Hardware-General? Subjects-Science-General Subjects-Science-Reference-General? Subjects-Science-Technology-General&Reference Encyclopedia of Physical Science and Technology Academic Pr? Robert A. Meyers? AcademicPr? RobertA.Meyers? ジャンル別? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-InformationSystems? Subjects-Engineering-Reference? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Science? 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Subjects-Reference-Encyclopedias-Medical? Subjects-Science-General Subjects-Science-Reference-Engineering? Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-FoodScience? Subjects-Science-Medicine-Reference-MedicalEncyclopedias? Subjects-Science-Medicine-SpecialTopics-Nutrition? Encyclopedia of Physical Science and Technology Academic Pr? Robert A. Meyers? AcademicPr? RobertA.Meyers? ジャンル別? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-InformationSystems? Subjects-Computers&Internet-General? Subjects-Engineering-Reference? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Science? Subjects-Nonfiction-Education-Reference-Encyclopedias-Veterinary? Subjects-Professional&Technical-Engineering-Reference? Subjects-Reference-Dictionaries&Thesauruses-Science? Subjects-Reference-Encyclopedias-Veterinary? Subjects-Science-General Subjects-Science-History&Philosophy-General? 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Subjects-Science-General Subjects-Science-Technology-General&Reference Environmental Radioactivity From Natural, Industrial, and Military Sources Academic Pr? Merril Eisenbud? AcademicPr? MerrilEisenbud? ジャンル別? Substores-UnknownASINs-5? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-HazardousWaste? Subjects-Engineering-Energy-Nuclear? Subjects-Health,Mind&Body-Safety&FirstAid? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-HazardousWaste? Subjects-Professional&Technical-Engineering-Energy-Nuclear? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-PublicHealth-Toxicology? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Safety&Health? Combustion Academic Pr? Irvin Glassman? AcademicPr? IrvinGlassman? ジャンル別? 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Pasoh Ecology of a Lowland Rain Forest in Southeast Asia Springer-Verlag? T. Okuda? N. Manokaran? Y. Matsumoto? K. Niiyama? S. C. Thomas? Springer-Verlag? T.Okuda? N.Manokaran? Y.Matsumoto? K.Niiyama? S.C.Thomas? ユーズドブック(洋書)-Outdoors&Nature Substores-UnknownASINs-67? Subjects-Outdoors&Nature-Environment-Conservation? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Medical-BasicSciences-Biology? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Ecology? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-General Subjects-Science-Nature&Ecology-Environment-Conservation? Subjects-Science-BiologicalSciences-Biology-General? Evolutionary Developmental Biology of Crustacea (Crustacean Issues) Aa Balkema? Gerhard Scholtz? AaBalkema? GerhardScholtz? Substores-UnknownASINs-67? 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Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Science-General Applications of Modern Dynamics to Celestial Mechanics and Astrodynamics Proceedings of the NATO Advanced Study Institute Held at Cortina D'Ampezzo, Italy, August 2-14, 1981 (NATO Science Series C Mathematical Physical Sciences) D Reidel Pub Co? Italy) NATO Advanced Study Institute (1981 Cortina d Ampezzo? Victor G. Szebehely? DReidelPubCo? Italy)NATOAdvancedStudyInstitute(1981 Cortinad Ampezzo? VictorG.Szebehely? ユーズドブック(洋書)-Science? Substores-UnknownASINs-55? Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astronomy? Subjects-Science-General Subjects-Science-Physics-Mechanics? Subjects-Science-Physics-Astrophysics? Subjects-Science-Astronomy-Astronomy? The Structure of Volatile Sulphur Compounds D Reidel Pub Co? Istvan Hargittai? DReidelPubCo? IstvanHargittai? ユーズドブック(洋書)-Science? Substores-UnknownASINs-55? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? 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Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-General Subjects-Science-General Emerging Technologies in Non Destructive Testing Proceedings of the 3rd International Conference on Emerging Technologies in Non Destructive Testing, 26-28 May 2003, Thessaloniki, Greece Aa Balkema? Danny Van Hemelrijck? Athanasios Anastasopoulos? Nikolaos E. Melanities? AaBalkema? DannyVanHemelrijck? AthanasiosAnastasopoulos? NikolaosE.Melanities? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-67? Subjects-Business&Investing-Management&Leadership-Planning&Forecasting? Subjects-Engineering-Telecommunications-Radio&Wireless? Subjects-Professional&Technical-Engineering-Telecommunications-Radio&Wireless? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Planning&Forecasting? Subjects-Science-General Metric Constrained Interpolation, Commutant Lifting and Systems (Operator Theory Advances and Applications) Birkhauser? C. Foias? Arthur E. Frazho? I. Gohberg? M. A. Kaashoek? Birkhauser? C.Foias? ArthurE.Frazho? I.Gohberg? M.A.Kaashoek? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Science? Subjects-Computers&Internet-Software-Design&Development-SoftwareDesign? Subjects-Computers&Internet-ComputerScience-SystemsAnalysis&Design? Subjects-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Professional&Technical-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Professional&Technical-ProfessionalScience-Mathematics-MathematicalAnalysis? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-MathematicalAnalysis? Subjects-Science-Mathematics-PureMathematics-FunctionalAnalysis? Deterministic and Stochastic Scheduling Proceedings (Nato Science Series Series C Mathematical and Physical Sciences) D Reidel Pub Co? England) NATO Advanced Study and Research Institute on Theoretical Approaches to Scheduling Problems (1981 Durham? M. A. H. Dempster? J. K. Lenstra? A. H. G. Rinnooy Kan? North Atlantic Treaty Organization. Scientific Affairs Division? DReidelPubCo? England)NATOAdvancedStudyandResearchInstituteonTheoreticalApproachestoSchedulingProblems(1981 Durham? M.A.H.Dempster? J.K.Lenstra? A.H.G.RinnooyKan? NorthAtlanticTreatyOrganization.ScientificAffairsDivision? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Science? Substores-UnknownASINs-67? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-Statistics? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-StochasticModeling? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Science-General Subjects-Science-Mathematics-Applied-Probability&Statistics? Differential and Integral Operators International Workshop on Operator Theory and Applications, Iwota 95, in Regensburg, July 31-August 4, 1995 (Operator Theory Advances and Applications) Birkhauser? I. Gohberg? R. Mennicken? C. Tretter? Birkhauser? I.Gohberg? R.Mennicken? C.Tretter? ユーズドブック(洋書)-Science? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General? Subjects-Professional&Technical-ProfessionalScience-Mathematics-MathematicalAnalysis? Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-Calculus? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-MathematicalAnalysis? Subjects-Science-Mathematics-PureMathematics-Calculus? Subjects-Science-Mathematics-Applied-General? Subjects-Science-Mathematics-Applied-DifferentialEquations? Groundwater Hydraulics Springer Japan? Kuniaki Sato? Yoshiaki Iwasa? SpringerJapan? KuniakiSato? YoshiakiIwasa? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Environmental-Hydrology? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-Hydrology? Subjects-Science-EarthSciences-Geology-Hydrology? Subjects-Science-General Agricultural Marketing in India Analysis-Planning and Development South Asia Books? Gulabnath Singh? D. S. Ranjit Singh? Ramiqbal Singh? SouthAsiaBooks? GulabnathSingh? D.S.RanjitSingh? RamiqbalSingh? ユーズドブック(洋書)-Science? Substores-UnknownASINs-54? Subjects-Science-General Subjects-Science-AgriculturalSciences-Marketing? Advances in Spatial Analysis and Decision Making (International Society for Photogrammetry and Remote Sensing Book Series) Aa Balkema? Zhilin Li? Qiming Zhou? Wolfgang Kainz? AaBalkema? ZhilinLi? QimingZhou? WolfgangKainz? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-67? 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Subjects-Science-General Developments in Mechanics of Structures And Materials Aa Balkema? A. Deeks? AaBalkema? A.Deeks? ユーズドブック(洋書)-Engineering Subjects-Engineering-Chemical-Materials? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialTechnology? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialTechnology? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-ProfessionalScience-Physics-Mechanics? Subjects-Science-Chemistry-Industrial&Technical? Subjects-Science-General Subjects-Science-Physics-Mechanics? Tropical Residual Soils Engineering Aa Balkema? Bujang B. K. Huat? Gue See Sew? Faisal Haji Ali? AaBalkema? BujangB.K.Huat? GueSeeSew? FaisalHajiAli? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Foundations&SoilMechanics? 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第3幕 ボストン郊外の寂れた野原 岩山の麓 (左手奥には二本の柱が光っている。アメリアが丘の上から現れる。彼女はひざまずいて祈り それから立ち上がって徐々に丘の上から降りてくる) 前奏曲 【アメリア】 ここは恐ろしい野原 結びつけられているのです 罪が死と! 刑場の柱があそこに立っている - あの草はあそこね 緑色をしてその下にある 行きましょう ああ!私の心は凍えてしまう! 自分の足音まで、ここのあらゆるものは 私を一杯に満たします 恐れや怯えで! 私は死んでしまった方がいいのかしら? 死ぬ!もしもそうなることが私の運命ならば そうすることが必要なら そうなるがいいわ (彼女は歩き始めようとする) でも 乾いた茎から得られるのね 私が自分の手で摘んだ草の茎から この痺れている心の中にある あの気高いお姿を忘れ去ることのできる薬が そしてお前に残るのは 失われた愛 - お前のために残るのはそれだけよ 私の哀れな心よ! ああ!嘆く者よ どんな力がお前を引き留めるの この恐ろしい小道を歩くのを止めようとするの? 勇気よ - お前は石となって 私を裏切らないで 涙を止めて それとも鼓動を止めて死んでしまいましょうか お前はこなごなに砕けるのよ、私の哀れな心臓よ! (真夜中の鐘が鳴る) 真夜中だわ! - ああ!私は何を見ているの? しゃれこうべが地下から浮かび上がって - ため息を! その目には怒りのきらめきが 私を見つめている 恐ろしいわ! (彼女はひざまずく) ああ!私をお支えください 私をお助けください おお神よ この哀れな心に憐れみを! 【リッカルド】 (突然) 私があなたと一緒だ 【アメリア】 何でなの! 【リッカルド】 落ち着いて! 【アメリア】 ああ! 【リッカルド】 あなたは何を恐れているのだ? 【アメリア】 ああ!私を一人にしてください - 私は、苦しむ生贄なのです - 私の名誉だけでもお救いください - でないと私は苦しみと恥ずかしさで 命を落としてしまうでしょう 【リッカルド】 私があなたを一人に?だめだ、決して そんなことはできない なぜならこの胸の中に燃えているからだ 不滅のあなたへの愛情が 【アメリア】 伯爵 どうか私にお慈悲を 【リッカルド】 そんなことを言うのか?あなたをこれほどまでに愛している者に?慈悲を求め 震えているのか? あなたの名は汚されはしない あなたの名誉もいつまでも変わらぬままだ 【アメリア】 しかし、リッカルド様、私は他人のもの - あなたの最も信頼のする友のもの - 【リッカルド】 それを言うな アメリア 【アメリア】 私はあの人のものです あなたにその命を捧げている人の 【リッカルド】 ああ残酷な人よ それを思い出させるのか 私の目の前でそれを繰り返すのか! あなたは知らぬのか たとえ私の魂を 悔恨が引き裂き 喰いつくそうとも その叫びは気にならず、聞こえぬことを 愛の喜びに満たされている限り? あなたは知らぬのか、あなたのものであり続けるということが たとえこの心臓が鼓動を止めたとしても! どれほどの夜を 私は喘ぎつつ眠れずにいただろう どれほど長くこの不幸と戦ってきたことか! 何度 天に願ってきたことか あなたが今 私に求めたような憐れみを! だがそれでも 私は一瞬であろうとも 不幸な人よ、あなたなしで生きられようか? 【アメリア】 ああ、どうかお助けください、天よ、この苦しみを 汚名と死との間にある者の 御身の慈悲深い光で照らして下さい 救いの扉に向かう私の足元を (リッカルドに) 行ってください - 私は何も聞きません、ひとりにしてください 私はあの方のものです あなたにその血を捧げている人の 【リッカルド】 私の命は 世界は ただ一言だけのためにあるのだ 【アメリア】 おやめください! 【リッカルド】 「愛している」と言ってくれ 【アメリア】 お行きください リッカルド様! 【リッカルド】 ただ一言 【アメリア】 ならば言いましょう、私はあなたを愛しています 【リッカルド】 私を愛してくれ アメリア! 【アメリア】 けれどあなたは 気高いお方 私の心から私を守ってください! 【リッカルド】 (独白) 私を愛し、私を愛する!ああ壊れて行くのだ 自責の念も 友情も 私の胸の中で すべてが消え去って行く すべてが この愛の他は! ああ、何という甘いときめきだ この胸の上に注がれるのは! ああ、私にもう一度聞かせてくれ 再びその言葉を! この暗闇に輝く星よ 私が心を捧げた星よ 愛の光で照らしてくれ もう太陽は昇って来ずともよいのだ 【アメリア】 ああ、死の床で 私はこの夢を消し去ろうと願っていました でも胸の中でどんどん大きくなって行きます 私を傷つけるこの愛は! なぜ私は注ぎ込むことができないのでしょう あの方に私の魂を? できないのならば 死の中で 眠ることはできないのでしょうか? 【リッカルド】 アメリア! 愛してくれるか アメリア? あなたは私を愛して? 【アメリア】 はい私はあなたを愛しています けれどあなたは気高いお方 私の心から私を守ってください! 【リッカルド】 愛の光で照らしてくれ 愛してくれるか アメリア? 【アメリア】 ああ、死の床で… 【リッカルド】 ああ、何という甘いときめきだ… 【アメリア】 ああ、誰か近づいて来ます 【リッカルド】 誰が来るというのか こんな 死の世界に?…ああ、見間違いではないのか! (レナートが現れる) レナート! 【アメリア】 (恐怖に駆られてベールをかぶる) 私の夫が! 【リッカルド】 (彼に向かって) お前がここに! 【レナート】 あなたをお守りするためです あそこに隠れて あなたを襲撃しようとしている者どもから 【リッカルド】 それは誰か? 【レナート】 謀反者どもです 【アメリア】 (独白) 何ということ! 【レナート】 マントをきつく体に巻いて走っておりますと 彼らは待ち伏せする仲間と間違えたのでしょう その中の誰かがこんなことを口にしたのです 「俺は見たぞ: 伯爵が見知らぬ美人と一緒にいるのを」と すると別の者がこう言いました 「つかの間の喜びさ! 奴は自分の墓穴を掘っているんだ その熱い抱擁とやらを 俺の手が突然にぶち壊しさえすりゃあな」と 【アメリア】 (独白) 死んでしまいそうだわ! 【リッカルド】 (彼女に) しっかりなさい 【レナート】 (マントで彼の身を包み) これを着てください (その後、彼に道を示す) お気をつけて、あそこからなら安全に逃れられます 【リッカルド】 (アメリアの手を取って) 私はあなたを救わなければ! 【アメリア】 (リッカルドにささやく) 惨めな私!お行きください! 【レナート】 (アメリアに近づいて) あなたもこの方を晒すつもりはないでしょう マダム 奴らの冷酷な刃に! (奥に行き 誰か近づいていないか確かめる) 【アメリア】 (リッカルドへ) ああ、おひとりでお逃げを! 【リッカルド】 あなたをここに残してか? 【アメリア】 まだ道は開けています!お逃げください… 【リッカルド】 あなたを一人でここに残してか 彼とともに?いや、できぬ!死んだ方がましだ 【アメリア】 お逃げください、でなければこのヴェールを脱ぎますわ 【リッカルド】 何を言っているのだ? 【アメリア】 ご決断を 【リッカルド】 やめるのだ 【アメリア】 お行きを (独白) もしもこの魂を捧げることであの方をお救いできるのなら どんな運命が来ようと 私はもう恐れないわ 【リッカルド】 (レナートに厳粛に) 友よ、難しい仕事をお願いしたい 私に向けたお前の愛情がきっと保証してくれるだろうから 【レナート】 信頼してお任せを 【リッカルド】 (アメリアを指して) 私に約束し、誓ってくれ お前がこの人を連れていくことを ヴェールをかぶったまま町まで 一言も語りかけず 顔も見ずに 【レナート】 誓いましょう 【リッカルド】 そして門のところに来たら別れてくれ 互いに正反対の方向に 【レナート】 誓いましょう そのように 【アメリア】 (そっとリッカルドへ) あなたには聞こえますか 鈍く震えているのを この死のささやきの響きが? 向こうの、あの黒い岩山の上 敵の立てる狼煙が昇っています 彼らの胸には怒りが燃え立ち - そして既に近づいてきて、あなたを厚く取り囲もうとしている - あなたの頭上へとその怒りは向けられているのです - お願いです 行ってください ここから逃げて 行って、お逃げを、行ってください! 【レナート】 (様子を窺っていた奥から戻ってきて) お逃げを、お逃げを あの恐ろしい小道から 私には聞こえてきます 奴らの冷徹な足音が 恐ろしい合図を交わし それぞれが右手に短剣を振り回しているのです お行きを、自らをお守りください、さもなくば逃げ道も もうすぐ閉ざされてしまうでしょう お行きを、自らをお守りください、民の命でもある あなたの命を粗末にしないでください 行って、お逃げを、お行きください! 【リッカルド】 (独白) 裏切者は、謀反者どもは彼らなのか 私の命を脅かす? ああ、だが私も友を裏切者なのだ - 私こそが心の中でその友を刺した者ではないか! 私に罪がなかったなら、私も彼らとまみえられたものを 愛の罪ゆえに - 逃げねばならぬのだ 主のお慈悲が彼女の上で その翼を休め、お守り下さらんことを! 【アメリア】 あなたには聞こえますか… 【レナート】 お逃げを、お逃げを… 【リッカルド】 裏切者は… (リッカルドは去る) 【レナート】 私について来なさい 【アメリア】 (独白) どうしましょう! 【レナート】 なぜあなたは震えているのですか? あなたの護衛を信頼して下さい、友のあの強い言葉が あなたの心を再び力づけて下さるのです! (上の方からサミュエル、トムとその一味が現れる) 【アメリア】 彼らがここに 【レナート】 急いで、私のそばに 【アメリア】 死んでしまいそう 【合唱】 (遠くから少しずつ近づいてくる) 奴に襲いかかれ ついにその時がやってきた 夜明けは挨拶することになるだろうよ 奴の死体とな 【サミュエル】 (トムに) あの白いヴェールが見えるか 奴の女神さまが立ってるぜ? 【トム】 奴を真っ逆さまに落としてやる 天国から 地獄へとな 【レナート】 (激しく) 誰がそこにいる? 【サミュエル】 奴じゃないぜ! 【トム】 畜生め! 【合唱】 そいつは伯爵じゃない! 【レナート】 違う、私だ お前たちの前にいるのは 【トム】 奴の犬か! 【サミュエル】 お前の方が 俺たちよりずっとラッキーだな 美人の笑顔を 俺たちゃ無駄に待ってたってわけだ 【トム】 せめてあんたの顔ぐらい 拝ませて貰おうじゃないか 【レナート】 一歩でも近づいてみろ 剣を拭くぞ 【サミュエル】 脅すのか? 【トム】 お前なんか怖くはないぞ (月が明るく照る) 【アメリア】 おお お助けを! 【合唱】 (レナートに向かって) 剣を下ろせ 【レナート】 裏切り者ども! 【トム】 (アメリアへのベールを引き剥がそうと) なあ 見せろよ - 【レナート】 (剣を抜く) 貴様の命が その侮辱への償いとなるぞ (全員がレナートに襲い掛かろうとする、アメリアは彼らの間に身を投げ出すが、ヴェールが取れてしまう) 【アメリア】 いえ お止めください - 【レナート】 (驚愕して) えっ!アメリア! 【サミュエルとトム】 何だ!奴の妻だ! 【アメリア】 おお神様!お慈悲を! 【サミュエルとトム】 奴の妻だぞ! 【レナート】 アメリア! 【サミュエル】 見ろよ こんな夜に奥様と この恋するお方はお楽しみってか 蜂蜜のような月の光の下で 草露の上に寝そべってな! 【サミュエルとトム】 ア、ハ、ハ! ア、ハ、ハ! 何という変わったご趣味だこと 町の連中は何て言うことやら! 【レナート】 こうして報いるのか 私がお守りしてきたことに! 私の妻を汚すことで! 奴のせいで、私はもう顔を上げることもできない 奴は永遠に私の心を引き裂いたのだ! 【アメリア】 この残酷な世で 一体誰を 哀れなアメリア、あなたは頼ればいいの? 軽蔑されたお前の涙は 誰の手が拭ってくれるのかしら? 【サミュエルとトム】 ア、ハ、ハ! ア、ハ、ハ! 町の連中は何て… 【レナート】 奴のせいで、私はもう… 【アメリア】 この世で一体誰に… 【レナート】 (サミュエルとトムのところに近づくと 決然として) 私の家に来てくれないか 明日の朝に? 【サミュエルとトム】 たぶん処罰を言い渡すんだろう? 【レナート】 いや 全く違うことが私の心の中にはある 【サミュエルとトム】 何が言いたい? 【レナート】 来ればわかる 【サミュエルとトム】 じゃあ会わせてもらうこととしようか (一味と一緒に去って行く) 行くとしようか 別々の道を通って 皆それぞれ別に! 【サミュエル トム 合唱】 明日の朝には 大変なことが明かされるんだ 行こう 行こう 見ろ、悲劇が喜劇になったぜ ア、ハ、ハ! ア、ハ、ハ! 町の連中は何て… 【レナート】 (アメリアとふたりきりで) 私は誓いました 門のところまで あなたを護衛すると さあ参りましょう さあ参りましょう! 【アメリア】 (独白) まるで死の鐘のように 私の心に彼の声は響く! [レナートに] ああ、お願いです! 憐みを! 【合唱】 (舞台裏から) 町の連中は何て… ATTO SECONDO Campo solitario nei dintorni di Boston, appiè' d'un colle scosceso (A sinistra nel basso biancheggiano due pilastri. Amelia appare dalle eminenze. S'inginocchia e prega, poi si alza ed a poco a poco discende dal colle.) Preludio AMELIA Ecco l'orrido campo ove s'accoppia Al delitto la morte! Ecco là le colonne – La pianta è là, verdeggia al piè. S'inoltri. Ah! mi si aggela il core! Sino il rumor de' passi miei, qui tutto M'empie di raccapriccio e di terrore! E se perir dovessi? Perire! Ebben, quando la sorte mia, Il mio dover tal è, s'adempia, e sia. (Fa per avviarsi.) Ma dall'arido stelo divulsa Come avrò di mia mano quell'erba, E che dentro la mente convulsa Quell'eterea sembianza morrà, Che ti resta, perduto l'amor – Che ti resta, mio povero cor! Oh! chi piange, qual forza m'arretra, M'attraversa la squallida via? Su, coraggio – e tu fatti di pietra, Non tradirmi, dal pianto ristà O finisci di battere e muor, T'annienta, mio povero cor! (Suona mezzanotte.) Mezzanotte! – Ah! che veggio? Una testa di sotterra si leva – e sospira! Ha negli occhi il baleno dell'ira E m'affissa e terribile sta! (Cade in ginocchio.) Deh! mi reggi, m'aita, o Signor, Miserere d'un povero cor! RICCARDO (uscendo improvvisamente) Teco io sto. AMELIA Gran Dio! RICCARDO Ti calma! AMELIA Ah! RICCARDO Di che temi? AMELIA Ah! mi lasciate – Son la vittima che geme – Il mio nome almen salvate – O Io strazio ed il rossore La mia vita abbatterà. RICCARDO Io lasciarti? no, giammai Nol poss'io, ché m'arde in petto Immortal di te l'affetto. AMELIA Conte, abbiatemi pietà. RICCARDO Così parli? a chi t'adora? Pietà chiedi, e tremi ancora? Il tuo nome intemerato, L'onor tuo sempre sarà. AMELIA Ma, Riccardo, io son d'altrui – Dell'amico più fidato – RICCARDO Taci, Amelia. AMELIA Io son di lui, Che daria la vita a te. RICCARDO Ah crudele, e mel rammemori, Lo ripeti innanzi a me! Non sai tu che se l'anima mia Il rimorso dilacera e rode, Quel suo grido non cura, non ode, Sin che l'empie di fremiti amor? Non sai tu che di te resteria, Se cessasse di battere il cor! Quante notti ho vegliato anelante! Come a lungo infelice lottai! Quante volte dal cielo implorai La pietà che tu chiedi da me! Ma per questo ho potuto un istante, Infelice, non viver di te? AMELIA Ah, deh soccorri tu, cielo, all'ambascia Di chi sta fra l'infamia e la morte; Tu pietoso rischiara le porte Di salvezza all'errante mio piè. (a Riccardo) E tu va – ch'io non t'oda, mi lascia. Son di lui, che il suo sangue ti diè. RICCARDO La mia vita, l'universo, Per un detto. AMELIA Ciel pietoso! RICCARDO Di' che m'ami. AMELIA Va, Riccardo! RICCARDO Un sol detto. AMELIA Ebben sì, t'amo. RICCARDO M'ami, Amelia! AMELIA Ma tu, nobile, Me difendi dal mio cor! RICCARDO (fuori di sé) M'ami, m'ami! oh sia distrutto Il rimorso, l'amicizia Nel mio seno estinto tutto, Tutto sia fuorché l'amor! Oh, qual soave brivido L'acceso petto irrora! Ah, ch'io t'ascolti ancora Rispondermi così! Astro di queste tenebre A cui consacro il core Irradiami d'amore E più non sorga il dì! AMELIA Ahi, sul funereo letto Ov'io sognava spegnerlo, Gigante torna in petto L'amor che mi ferì! Ché non m'è dato in seno A lui versar quest'anima? O nella morte almeno Addormentarmi qui? RICCARDO Amelia! tu m'ami, Amelia? Tu m'ami? AMELIA Sì t'amo. Ma tu, nobile, Me difendi dal mio cor. RICCARDO Irradiami d'amor. Tu m'ami, Amelia? AMELIA Ahi, sul funereo letto ecc. RICCARDO Oh qual soave brivido, ecc. AMELIA Ahimè – s'appressa alcun. RICCARDO Chi giunge in questo Soggiorno della morte?… Ah, non m'inganno! (Si vede Renato.) Renato! AMELIA (abbassando il velo atterrita) Il mio consorte! RICCARDO (incontrandolo) Tu qui! RENATO Per salvarti da lor, che, celati Lassù, t'hanno in mira. RICCARDO Chi son? RENATO Congiurati. AMELIA (tra sé) Oh ciel! RENATO Trasvolai nel manto serrato, Così che m'han preso per un dell'agguato, E intesi taluno proromper “L'ho visto È il Conte un'ignota beltade è con esso.” Poi altri qui vôlto “Fuggevole acquisto! S'ei rade la fossa, se il tenero amplesso Troncar di mia mano repente saprò.” AMELIA (tra sé) Io muoio! RICCARDO (a lei) Fa core. RENATO (coprendolo col suo mantello) Ma questo ti do. (poi additandogli un viottolo) E bada, lo scampo t'è libero là. RICCARDO (prendendo per mano Amelia) Salvarti degg'io! AMELIA (sottovoce a Riccardo) Me misera! Va! RENATO (passando ad Amelia) Ma voi non vorrete segnarlo, o signora, Al ferro spietato! (Dilegua nel fondo e va a vedere se s'avanzano.) AMELIA (a Riccardo) Deh, solo t'invola! RICCARDO Che qui t'abbandoni? AMELIA T'è libero ancora li passo deh! fuggi… RICCARDO E lasciarti qui sola Con esso? no, mai! piuttosto morrò. AMELIA O fuggi, o che il velo dal capo torrò. RICCARDO Che dici? AMELIA Risolvi. RICCARDO Desisti. AMELIA Lo vo'. (tra sé) Salvarlo a quest'alma se dato sarà Del fiero suo fato più tema non ha. RICCARDO (a Renato, solennemente) Amico, gelosa t'affido una cura L'amor che mi porti garante mi sta. RENATO Affidati, imponi. RICCARDO (indicando Amelia) Promettimi, giura Che tu l'addurrai, velata, in città, Né un detto, né un guardo su essa trarrai. RENATO Lo giuro. RICCARDO E che tocche le porte, n'andrai Da solo all'opposto. RENATO Lo giuro, e sarà. AMELIA (sommessamente, a Riccardo) Odi tu come fremono cupi Per quest'aura gli accenti di morte? Di lassù, da quei negri dirupi Il segnal de' nemici partì. Ne' lor petti scintillano d'ira – E già piomban, t'accerchiano fitti – Al tuo capo già volser la mira – Per pietà, va, t'invola di qui. Va, fuggi, va! RENATO (staccandosi dal fondo dove stava esplorando) Fuggi, fuggi per l'orrida via Sento l'orma dei passi spietati. Allo scambio dei detti esecrati Ogni destra la daga brandì. Va, ti salva, o che il varco all'uscita Qui fra poco serrarsi vedrai; Va, ti salva, del popolo è vita, Questa vita che getti così. Va, fuggi, va! RICCARDO (tra sé) Traditor, congiurati son essi Che minacciano il vivere mio? Ah, l'amico ho tradito pur io – Son colui che nel cor lo ferì! Innocente, sfidati gli avrei Or d'amore colpevole – fuggo. La pietà del Signore su lei Posi l'ale, protegga i suoi dì! AMELIA Odi tu, ecc. RENATO Fuggi, fuggi, ecc. RICCARDO Traditor, ecc. (Riccardo esce.) RENATO Seguitemi. AMELIA (tra sé) Mio Dio! RENATO Perché tremate? Fida scorta vi son, l'amico accento Vi risollevi il cor! (Dalle alture compariscono Samuel, Tom con seguito.) AMELIA Eccoli. RENATO Presto, appoggiatevi a me. AMELIA Morir mi sento. CORO (in lontananza avvicinandosi a poco a poco) Avventiamoci su lui, Ché scoccata è l'ultim'ora. Il saluto dell'aurora Pel cadavere sarà. SAMUEL (a Tom) Scerni tu quel bianco velo Onde spicca la sua dea? TOM Si precipiti dal cielo All'inferno. RENATO (forte) Chi va là? SAMUEL Non è desso! TOM O furor mio! CORO Non è il Conte! RENATO No, son io Che dinanzi a voi qui sta. TOM il suo fido! SAMUEL Men di voi Fortunati fummo noi Ché il sorriso d'una bella Stemmo indarno ad aspettar. TOM Io per altro il volto almeno Vo a quest'Iside mirar. RENATO Non un passo se l'osate Traggo il ferro. SAMUEL Minacciate? TOM Non vi temo. (La luna è in tutto il suo splendore.) AMELIA O dei, aita! CORO (verso Renato) Giù l'acciaro. RENATO Traditori! TOM (va per istrappare il velo ad Amelia) Vo' finirla – RENATO (snudando la spada) E la tua vita Quest'insulto pagherà. (Nell'atto che tutti s'avventano contro Renato, Amelia fuori di sé inframmettendosi, lascia cadere il velo.) AMELIA No, fermatevi – RENATO (colpito) Che! Amelia! SAMUEL e TOM Lei! Sua moglie! AMELIA O dei! Pietà! SAMUEL e TOM Sua moglie! RENATO Amelia! SAMUEL Ve', se di notte qui colla sposa L'innamorato campion si posa, E come al raggio lunar del miele Sulle rugiade corcar si sa! SAMUEL e TOM Ah, ah, ah! Ah, ah, ah! E che baccano sul caso strano, E che commenti per la città! RENATO Cosi mi paga, se l'ho salvato! Ei m'ha la donna contaminato! Per lui non posso levar la fronte, Sbranato il cor per sempre m'ha! AMELIA A chi nel mondo crudel più mai, Misera Amelia, ti volgerai? La tua spregiata lagrima, quale, Qual man pietosa rasciugherà? SAMUEL e TOM Ah, ah, ah! Ah, ah, ah! E che baccano, ecc. RENATO Per lui non posso, ecc. AMELIA A chi nel mondo, ecc. RENATO (si avvicina a Samuel e Tom e risolutamente dice loro) Converreste a casa mia Sul mattino di domani? SAMUEL e TOM Forse ammenda aver chiedete? RENATO No. Ben altro in cor mi sta. SAMUEL e TOM Che vi punge? RENATO Lo saprete, se verrete. SAMUEL e TOM E ci vedrai. (nell'uscire seguiti dai loro) Dunque andiam per vie diverse L'un dall'altro s'allontani! SAMUEL, TOM e CORO Il mattino di domani Grandi cose apprenderà. Andiam, andiam. Ve', la tragedia mutò in commedia. Ah, ah, ah! Ah, ah, ah! E che baccano, ecc. RENATO (solo con Amelia) Ho giurato che alle porte V'addurrei della città. Andiam! Andiam! AMELIA (tra sé) Come sonito di morte La sua voce al cor mi va! (a Renato) Oh no! pietà! CORO (fuori di scena) E che baccano, ecc. この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@ 藤井宏行 Verdi,Giuseppe/Un Ballo in Maschera/III
https://w.atwiki.jp/oper/pages/287.html
第12場 前場と同じ登場人物、オルロフスキー、アデーレ、イーダ、ファルケ、フランク、紳士淑女、後ほど召使い <メラニエ> (ファルケへ) 例のお楽しみについて私たちに話して下さらなくて、博士! <ファウスティーネ> (ロザリンデに気付いて) ああ、あそこに異国から来られた女性がいるわ! <イーダ> あの興味深い参加者ね 博士が話していた! <アデーレ> あたし 彼女の目がとっても見てみたいわ <淑女たち> 私も!私も! <アデーレ> あたしたちみんなでやってみましょうよ (ロザリンデに) 美しい見知らぬ方、あなたがあまりにも醜くないのであれば... <ファウスティーネ> …あるいはドクロの王女さまでないのなら... <アデーレ> …マスクを取っては頂けませんか お願いします! <全員> マスクを取って! マスクを取って! <オルロフスキー> 待ちなさい、諸君、これは約束に反しているだろう。私の別荘では、すべての女性が自分が望む通り身分を隠すか明かすかを選ぶ権利があるんだ。 (ロザリンデに) お気になさらず 美しいお方! アイゼンシュタイン (彼の時計をちらっと見て) ああ美しき人よ 恥ずかしがらないで。私の時計は消えた! <アデーレ> ちなみに、あたしは彼女がハンガリー人ではないことを賭けてもいいわ。ライタ川の向こうの女性はより多くの情熱を持っていて、もっと前に私たちの集まりの中でそれが爆発してるはずよ! <オルロフスキー> それでも彼女はハンガリー人なのです! <メラニエ> でも誰がそれを証明してくれるのですか、殿下? ロザリンデ 音楽が証明してくれますわ! <全員> 音楽ですって? ロザリンデ はい、私の祖国の調べが私に話しかけてくるのです! Nr. 10 - チャールダーシュ <ロザリンデ> ふるさとの響き それは私の郷愁を目覚めさせ 涙を呼び寄せるの 私の目の中に! 耳を傾ければ ふるさとの歌は 私を再び連れ戻してくれる ハンガリーよ お前のもとに! おおふるさと すばらしきところ そこでは太陽が明るく輝く 緑の森よ ほほ笑む野原よ おお祖国よ 私が幸せに暮らしていたところ! そう お前の愛しい姿は 私の魂を満たしてくれる たとえどんなに遠く離れていても お前を永遠に留めて置こう 私の想いはいつまでも すべてを捧げよう! おおふるさと すばらしきところ そこでは太陽が明るく輝く 緑の森よ ほほ笑む野原よ おお祖国よ 私が幸せに暮らしていたところ! 炎が 生命の喜びが このハンガリーっ子の胸を焦がす ヘイ 急いでダンスだ チャールダーシュは明るく響く 小麦色の乙女よ ダンスの相手をしておくれ すばやく腕を回せ 黒い瞳の娘! ヴァイオリンの響きに合わせ 陽気に歌を響かせよう ホハハ! 拍車を鳴らせ、あの娘が恥じらいつつ 大地に目を落としている それは幸せの予兆だ! 渇いた酒飲みよ、杯に手を伸ばせ すばやく回して行け 手から手へ! トカイワインの炎をあおれば 故郷の乾杯の声が聞こえる! 炎が 生命の喜びが このハンガリーっ子の胸を焦がす ヘイ 急いでダンスだ チャールダーシュは明るく響く ラララ <全員> (拍手する) ブラボー! ブラビッシマ! <メラニエ> (ファルケに) 予告されていたお楽しみって何ですか 博士? <ファルケ> 何のことでしょうか? <ラムジン> こうもりの物語! <アイゼンシュタイン> 「こうもり」のことをお尋ねですかね?そいつは私の仕組んだ喜劇で、この哀れな博士がタイトルロール役に割り当てられてました。このオイシイ冗談に彼は見事ハメられたのです。その恥ずかしさは誰も言葉に尽くせないほど! <ファウスティーネ> 話してください、侯爵! <アイゼンシュタイン> (ファルケへ) 話してもいいか? <ファルケ> 気にしないでやれよ! <アイゼンシュタイン> 三年前、ファルケと私はまだ少々いかれた、陽気な仲間でした... <アデーレ> あら 今でもそうじゃない! <ロザリンデ> (そっとファルケに) 生意気な娘! <ファルケ> シッ!あなたであることを明かさないで! <アイゼンシュタイン> 我々はどちらもヴァインスベルクの町に住んでいました。ファルケは既に公証人でしたが、私はまだ独り者でした。 <アリ・ベイ> どういうことです?あなたはご結婚されてるのですか、侯爵? <ロザリンデ> ひどい!あなた奥様がいるのね?ああ、私の望みが! <アイゼンシュタイン> そんなにがっかりすることはないですよ 美しい時計泥棒さん!私の妻は年寄で夜のフクロウのように醜いんですから <ロザリンデ> (ファルケへ) 何てひどい言われようなの! <アイゼンシュタイン> 私たちの町から2マイルほど離れた城で領主が仮面舞踏会を開いたときに、私たちも招待されて、私は蝶々のマスクをし、この博士はコウモリに扮したのです <全員> ファルケ(鷹)がコウモリだって!ハハ! <アイゼンシュタイン> 全身茶色の毛で、長い爪、大きな翼と巨大な黄色いくちばしを縫いつけて... <マーレー> 私たちカナダでは、コウモリは黄色のくちばしを持っていないですよ! <アイゼンシュタイン> そうかも知れませんが、彼のは持っていたし、コウノトリのように立派に見えたので <全員> そうだと思います <アイゼンシュタイン> 我々は車に乗って舞踏会に行き、会話はたいへんはずみましたが、そのうち私は悪ふざけがしたくなってきて、この博士にしこたま酒を飲ませたのです、朝になるころには彼は完全にぐでんぐでんになっていました。 それから私は、車の中に彼を押し込んで、小さな森の中まで運んで行き、木の下に彼を置いてさっさと逃げ出したのです。彼は全く気付かず、丸太のように熟睡していました。 <全員> ハハ、気の毒な博士! <アイゼンシュタイン> 彼がようやく目覚めたときには、もう明るい真っ昼間になっていて、コウモリの格好のまま彼は町中の小学校の子供たちが喜んでついてくる中、その重い護衛の下にようやくアパートにたどり着いたんですよ <全員> ハハハ! <アイゼンシュタイン> それ以来、ヴァインスベルクの町で彼はこうもり博士と呼ばれるようになってしまいました。 <イーダ> それで彼はそのひどいイタズラの復讐はしてないんですか? <アイゼンシュタイン> ああ、私は注意深いのでね! <ファルケ> 遅れてるだけで忘れてはいません!おそらく明日にでも分かるでしょう 私たちのどちらがピエロの王様にふさわしいのかを。 <フランク> 侯爵、このコウモリのアイディアは素晴らしいですな!このような楽しいイタズラを侯爵ともあろう方が考え付くとは! <ファルケ> (一同に) 侯爵とシュヴァリエ殿にも酔いつぶれるまで飲ませて下さい、お願いします <オルロフスキー> 次に、テーブルにつきましょう、紳士淑女の皆さん! <全員> テーブルへ テーブルへ! 皆テーブルに座り、召使いたちが給仕する <アイゼンシュタイン> (ロザリンデに) 食事でもマスクを外さないのですか? <ロザリンデ> 今でもしません、明日なら! <召使い1> (アイゼンシュタインに) シャトーラロワに致しますか それともシャンパン? <アイゼンシュタイン> 両方頼む 両方だ! <召使い2> (フランクに) シャトーラロワに致しますか それともシャンパン? <フランク> 「それとも」でなく「どちらも」です!共に平等に選ばれる資格があるんです! <アイゼンシュタイン> (歌う) 人生の喜びよ... <メラニエ> あなたのご夫人もお許しになるのかしらね ここであなたが人生を楽しんでおられることを? <アイゼンシュタイン> ああ、あなたは純真ですねえ!私がどこに行っているのかをいつも妻に教えてると思いますか?うちの婆さんは夫が今 どこか別のところにいると信じてますよ <ロザリンデ> (怒って) 婆さんですって! <メラニエ> 彼女も自分の老いを生きなければならないのね! <全員> (彼らのグラスを上げて) 乾杯だ! <オルロフスキー> (ロザリンデを指して) そこにも美しいヘレンがいますよ! <全員> 乾杯 乾杯! <アイゼンシュタイン> たぶん彼女にはとても愚かなメネラオスがいるのさ! <オルロフスキー> 教えてくれないか、君、どういうことなのか、劇場で晩餐会をするとどうして喜ぶ観客がとても少ないわけを? <アデーレ> 観客の人たちも見ていて喉が渇くからじゃない! <ファルケ> 劇場で楽しい晩餐を演出するには、観客にもシャンパンを提供しなくては。それとめいめいが近くの人と抱き合うことも大事です! <男たち> 例えばどうやって!この女性たちを抱くとかですかね <オルロフスキー> (グラスを手に立ち上がり) シャンパン、全てのワインの王!このはじける王者とその従僕たちに! <全員> 乾杯! Nr. 11 - フィナーレ <オルロフスキー> ブドウの炎がほとばしり出て トララ ラ ラ ラ ラ ラ ラ 天上の生命がはじけてる トララ ラ ラ ラ ラ! 王様も皇帝陛下も 月桂樹の栄誉が愛するけれど でもその次に愛するのは この甘美なブドウの飲み物さ 乾杯 乾杯 声を合わせて讃えよう すべての酒の王様を! <全員> 乾杯 乾杯 乾杯! <オルロフスキー> その勇名は知れ渡る あたりじゅうに 歓呼と共にシャンパン一世と呼ばれるのだ <全員> その勇名は知れ渡る あたりじゅうに 歓呼と共にシャンパン一世と呼ばれるのだ 栄光あれ シャンパン一世に! <アデーレ> どこの国も讃えているわ トララ ラ ラ ラ ラ ラ ラ どれほど遠いところでも トララ ラ ラ ラ ラ! シャンパンは洗い流す 悩みを全て 遠くへと だから賢い領主さまは 民衆に酒を絶やすことはない 乾杯 乾杯 声を合わせて讃えよう すべての酒の王様を! <全員> 乾杯 乾杯 乾杯! <アデーレ> その勇名は知れ渡る あたりじゅうに... <全員> その勇名は知れ渡る あたりじゅうに... <アイゼンシュタイン> 静かな僧房の坊さんも トララ ラ ラ ラ ラ ラ ラ 酒の泉でお楽しみだ トララ ラ ラ ラ ラ! 唇を浸すだけというにしては あまりにたくさんの啜りっぷり グラスから注ぎ込む ルビー色の酒を鼻につけて 乾杯 乾杯 声を合わせて讃えよう すべての酒の王様を! <全員> 乾杯 乾杯 乾杯! <アイゼンシュタイン> その勇名は知れ渡る あたりじゅうに... <全員> その勇名は知れ渡る あたりじゅうに 歓呼と共にシャンパン一世と呼ばれるのだ <アイゼンシュタイン> (フランクに) シュヴァリエ殿 ご挨拶を <フランク> メルシー メルシー メルシー! あなたのご健勝を 侯爵殿! <ファルケ> お二方のご健勝を シュヴァリエ殿 侯爵殿 <アイゼンシュタイン、フランク> メルシー メルシー メルシー! <ロザリンデ、アデーレ、イーダ、オルロフスキー> ハハハハ! <全員> メルシー メルシー メルシー! <ファルケ> さて、ここでお聞き下さいますか 私の考えたことを! <全員> 聞いてみよう! <ファルケ> 見たところ ここにはたくさんのカップルがいて たくさんの心が愛の中で結ばれています そこで 私たち皆でひとつの大きな絆を作ってはいかがでしょうか 姉妹や 兄弟となって! <オルロフスキー> ひとつの大きな絆を つくりましょう! <全員> ひとつの大きな絆を つくりましょう! <アイゼンシュタイン> (ロザリンデに) あなたもいかがです 美しいマスクの方 ご一緒に? <ロザリンデ> 皆さんくちづけされるのなら 私もしない訳には行きませんわ! <ファルケ> 私のやり方に従って グラスを手に めいめいが歌いかけてください お近くの方に向かって: 兄弟に 兄弟そして姉妹に 私たちはなりましょう いいですね! 兄弟に 兄弟そして姉妹に 親しげな「君(ドゥー)」という呼び名を贈りましょう いつまでもずっと 今日の日のように 明日もまたそう思い続けましょう! まずキスを 続いて君(ドゥー)を 君 君 君といつまでも! <全員> 兄弟に 兄弟そして姉妹に 私たちはなりましょう いいですね! 親しげな「君(ドゥー)」という呼び名を贈りましょう いつまでもずっと 今日の日のように 明日もまたそう思い続けましょう! まずキスを 続いて君(ドゥー)を 君 君 君といつまでも! ドゥイドゥー ドゥイドゥー ラララ! <バレエ> a) スペイン風 b) ロシア風 c) ボヘミア風 (ポルカ) <合唱> (ポルカに合わせて) マリンカ おいで ぼくと一緒に踊ろう! 今日はぼくとひとつになろうよ! ポルカをずっと二人で踊るのさ 心はもうボヘミアさ トイエ ヘスキ ムジーチュク トランペットやクラリネットに乗せて 陽気な音楽家のように よその国へ吹き飛ばさないでおくれ マリンカ おいで ぼくと一緒に踊ろう!... d) ハンガリー風 <オルロフスキー> (ハンガリアンダンスが終わったあとで) よくやった もう結構!踊り子たちは休んでいいぞ さざめく調べに 陽気な輪になって 今度はぼくたち自身が踊る番だ! <全員> 仕度しよう ダンスの! そうだ ダンスだ めくるめくダンスで この祝宴を一層輝かせよう! <全員> ああ、この祝宴 喜びに満ちた夜! 恋とワインが幸せを運ぶ 人生が今宵のように過ぎていくのなら すべての時を快楽に捧げよう! <アイゼンシュタイン> (よろけながらフランクに) 君は俺の支えだ 友よ! <フランク> (同じようによろけつつ) ああ、君の人生の支えでいよう! <ロザリンデ、オルロフスキー、ファルケ> どんな感動の再会が 刑務所の中であるのだろう! <全員> ああ、この祝宴 喜びに満ちた夜! 恋とワインが幸せを運ぶ 人生が今宵のように過ぎていくのなら すべての時を快楽に捧げよう! <フランク> (アイゼンシュタインに) 兄弟よ、私の時計は調子が悪い 見せてくれ 君のは今何時だい? <アイゼンシュタイン> 兄弟、俺は持ってないんだ この人に取られちまったから! (ロザリンデに) すてきなお方、ここで皆の前で 最後にマスクを取ってください それで私は誰に負けたのか分かります そして、誰が私の時計を手に入れたのかを! <ロザリンデ> 見ない方がいいですわ この下に隠されたものは あなたブルブル震えますわよ この姿の前では! <アイゼンシュタイン> フフフフ、それはどうういう意味 <アデーレ、イーダ> ハハハハ、面白いやり取り! <全員> 全く 面白いやり取り! <アデーレ> 男だったら 顔を見なさいよ! <紳士淑女> 顔を見なさい! <イーダ> 引き下がるなんてみっともないわ! <紳士淑女> 顔を見なさい 顔を見なさい! <アイゼンシュタイン> おお、勇気が出てきたぞ! カワイコちゃん もはや抵抗もこれまで! <ロザリンデ> 鼻の上にニキビがあるの だから顔を隠してるのよ! <アイゼンシュタイン> ニキビだなんて信じるものか! <アデーレ、ファルケ、フランク> ええ、ニキビくらいじゃ彼は驚かない! <アイゼンシュタイン> この顔を見ずにいられようか! <アデーレ、イーダ、オルロフスキー、ファルケ、フランク> 彼はこの顔を見ずにはいられない! 彼はロザリンデに迫る、ファルケは暖炉の上の時計に近づくとそれを鳴らした ダンスが止まる <アイゼンシュタイン、フランク> (時計の鐘を数える) 1! 2! 3!4!5!6時! 帽子はどこだ、帽子はどこだ もう時間だ! <全員> 帽子はどこだ、帽子はどこだ、何の騒ぎだ! <アイゼンシュタイン> 牢屋が俺を待っている! <フランク> とっくに職場に居るはずの時間だ! 私のコート 私のコート 私のコートを取ってくれ! <全員> 彼の帽子、彼のコート、ハハハ、 彼のコートを、彼の帽子を渡してやれ!ハハハ! <フランク> (アイゼンシュタインに向かい) ちょっとそこまで 私と一緒に行こう! <アイゼンシュタイン> 次の角で別れよう! <二人> では行こう! <全員> またお会いしましょう、ハハハ! ああ、この祝宴 喜びに満ちた夜! 恋とワインが幸せを運ぶ 人生が今宵のように過ぎていくのなら すべての時を快楽に捧げよう! <ロザリンデ、アデーレ、オルロフスキー> ララ、ララ、ララ、ララ! アイゼンシュタインとフランクは、ダンサーに囲まれてふらふらと出口に向かって移動する。 ZWÖLFTER AUFTRITT Vorige. Orlofsky. Adele. Ida. Falke. Frank. Herren und Damen. Später Diener. MELANIE zu Falke Den Spass müssen Sie uns erzählen, Doktor! FAUSTINE bemerkt Rosalinde Ah, da ist ja das Mädchen aus der Fremde! IDA Die interessante Unbekannte, die uns der Doktor angekündigt! ADELE Ich wäre doch sehr begierig, ihr ins Auge zu blicken. DIE DAMEN Ich auch! Ich auch! ADELE Wir wollen den Sturm wagen. zu Rosalinde Schöne Unbekannte, wenn Sie nicht gar zu hässlich ... FAUSTINE ... oder die Prinzessin mit dem Totenkopf sind ... ADELE ... möchten wir Sie bitten, sich zu demaskieren! ALLE Demaskieren! Demaskieren! ORLOFSKY Halt, meine Herrschaften, das ist wider die Abrede. In meiner Villa hat jede Dame das Recht, sich zu verhüllen oder zu enthüllen, so weit es ihr beliebt. zu Rosalinde Ganz ungeniert, meine Holde! EISENSTEIN nach seiner Uhr blickend Oh, die Holde geniert sich gar nicht. Meine Uhr ist futsch! ADELE Übrigens könnte ich zehn gegen eins wetten, dass sie keine Ungarin ist. Eine Dame jenseits der Leitha hat mehr Feuer und wäre in unserer Gesellschaft längst explodiert! ORLOFSKY Und dennoch ist sie eine Ungarin! MELANIE Und wer verbürgt uns das, Durchlaucht? ROSALINDE Die Musik verbürgt es! ALLE Die Musik? ROSALINDE Ja, die nationalen Töne meines Vaterlands mögen für mich sprechen! Nr. 10 - Csárdás ROSALINDE Klänge der Heimat, ihr weckt mir das Sehnen, Rufet die Tränen ins Auge mir! Wenn ich euch höre, ihr heimischen Lieder, Zieht mich s wieder, mein Ungarland, zu dir! O Heimat, so wunderbar, wie strahlt dort die Sonne so klar, Wie grün deine Wälder, wie lachend die Felder, O Land, wo so glücklich ich war! Ja, dein geliebtes Bild meine Seele so ganz erfüllt, Und bin ich auch von dir weit, Dir bleibt in Ewigkeit doch mein Sinn immerdar Ganz allein geweiht! O Heimat, so wunderbar, wie strahlt dort die Sonne so klar, Wie grün deine Wälder, wie lachend die Felder, O Land, wo so glücklich ich war! Feuer, Lebenslust schwellt echte Ungarbrust, Hei, zum Tanze schnell, Csárdás tönt so hell. Braunes Mägdelein, musst meine Tänz rin sein, Reich den Arm geschwind, dunkeläugig Kind! Zum Fiedelklingen tönt jauchzend Singen ho, ha, ha! Mit dem Sporn geklirrt, wenn dann die Maid verwirrt Senkt zur Erd den Blick, das verkündet Glück! Durst ge Zecher, greift zum Becher, Lasst ihn kreisen schnell von Hand zu Hand! Schlürft das Feuer im Tokaier, Bringt ein Hoch dem Vaterland! Feuer, Lebenslust schwellt echte Ungarbrust, Hei, zum Tanze schnell, Csárdás tönt so hell. Lalalala! ALLE applaudierend Brava! Bravissima! MELANIE zu Falke Was ist s mit dem versprochnen Spass, Doktor? FALKE Sie meinen? RAMUSIN Die Geschichte von der Fledermaus! EISENSTEIN Von der Fledermaus ist die Rede? Das war ja meine Komödie, in der ich dem armen Doktor die Titelrolle zuteilte. Ein köstlicher Spass, dem er zum Opfer fiel. Seine Blamage kann er euch doch nicht selbst beschreiben! FAUSTINE So erzählen Sie, Marquis! EISENSTEIN zu Falke Darf ich? FALKE Ohne Bedenken! EISENSTEIN Vor drei Jahren waren Falke und ich noch ein paar lustige, fidele Brüder ... ADELE Oh, das seid ihr noch! ROSALINDE leise zu Falke Unverschämt! FALKE Pst! Verraten Sie sich nicht! EISENSTEIN Wir wohnten beide in dem Städtchen Weinberg. Falke war damals schon Notar, ich aber war noch unverheiratet. ALI BEY Wie? Sie sind verheiratet, Marquis? ROSALINDE Entsetzlich! Eine Frau haben Sie? Oh, meine Hoffnungen! EISENSTEIN Hoffen Sie deswegen ungeniert, holde Uhrabzwickerin! Meine Frau ist steinalt und hässlich wie eine Nachteule. ROSALINDE zu Falke Was für ein schmeichelhaftes Porträt! EISENSTEIN Auf einem Schlosse, zwei Meilen von unserem Städtchen, gab die Herrschaft einen Maskenball, zu dem wir auch eingeladen waren. Ich maskierte mich als Papillon, und der Doktor als Fledermaus. ALLE Falke als Fledermaus! Haha! EISENSTEIN Ganz eingenäht in ein braunes Fell, lange Krallen, breite Flügel und einen ungeheuren gelben Schnabel ... MURRAY Bei uns in Kanada haben die Fledermäuse keine gelben Schnäbel! EISENSTEIN Das ist möglich, aber er hatte einen und sah famos aus als Gelbschnabel. ALLE Wir glauben s. EISENSTEIN Wir fuhren in einem Fiaker miteinander auf den Ball, unterhielten uns köstlich; ich wollte mir jedoch einen Extrajux leisten und trank unserem Doktor fleissig zu, so dass er gegen Morgen kanonenvoll betrunken war. Dann legte ich ihn in den Wagen, fuhr mit ihm in ein kleines Gehölz, bettete ihn unter einen Baum und machte mich aus dem Staub. Er merkte davon nichts, sondern schlief wie ein Murmeltier. ALLE Haha, der arme Doktor! EISENSTEIN Als er endlich erwachte, musste er bei hellem, lichtem Tag als Fledermaus zum Gaudium aller Schulkinder in die Stadt marschieren, bis er endlich unter starker Begleitung seine Wohnung erreichte. ALLE Hahaha! EISENSTEIN Seitdem wurde er in Weinberg nur noch Dr. Fledermaus genannt. IDA Und er hat sich nicht gerächt für den groben Spass? EISENSTEIN Oh, ich bin auf meiner Hut! FALKE Aufgeschoben ist nicht aufgehoben! Vielleicht erleben wir schon morgen, wer von uns den ersten Preis als Spassmacher verdient. FRANK Marquis, diese Fledermaus-Idee war süperb! Einen solchen Spass kann nur ein Marquis erfinden! FALKE zur Gesellschaft Trinkt dem Marquis und dem Chevalier fleissig zu, ich bitte euch. ORLOFSKY Vorwärts, zu Tische, meine Damen und Herren! ALLE Zu Tisch, zu Tische! Man setzt sich zur Tafel. Diener servieren. EISENSTEIN zu Rosalinde Wird auch jetzt noch nicht die Maske fallen? ROSALINDE Auch jetzt noch nicht, aber morgen! 1. DIENER zu Eisenstein Château Laroie oder Champagner? EISENSTEIN Beides, mein Freund, beides! 2. DIENER zu Frank Château Laroie oder Champagner? FRANK Nicht "oder", sondern "und"! Gleiches Recht für beide! EISENSTEIN singt "Freut euch des Lebens ..." MELANIE Erlaubt Ihnen denn aber auch Ihre Marquise, sich hier Ihres Lebens zu freuen? EISENSTEIN Oh, Sie liebe Unschuld! Glauben Sie denn, ich sage ihr immer, wohin ich gehe? Meine Alte glaubt mich jetzt ganz wo anders. ROSALINDE erbost Seine Alte! MELANIE Sie soll leben, Ihre Alte! ALLE heben die Gläser Hoch! ORLOFSKY auf Rosalinde deutend Auch die schöne Helena dort! ALLE Hoch, hoch! EISENSTEIN Vielleicht hat sie auch einen recht dummen Menelaus! ORLOFSKY Sagt mir doch, Kinder, woran liegt es, dass die Soupers auf dem Theater das Publikum so wenig amüsieren? ADELE Weil das Publikum mit trockenem Munde zusehen muss! FALKE Um auf dem Theater ein amüsantes Souper darzustellen, müsste man auch dem Publikum Champagner servieren lassen und jedem Herrn erlauben, seine Nachbarin zu umarmen! DIE HERREN Wie wir zum Beispiel! Umarmen ihre Damen. ORLOFSKY erhebt sich, das Glas in der Hand Champagner, König aller Weine! Hoch die sprudelnde Majestät und ihre Untertanen! ALLE Hoch! Nr. 11 - Finale ORLOFSKY Im Feuerstrom der Reben, trala, la la la la la la, Sprüht ein himmlisch Leben, trala, la la la la! Die Könige, die Kaiser, Sie lieben Lorbeerreiser, Doch lieben sie daneben Den süssen Saft der Reben. Stosst an, stosst an und huldigt im Vereine Dem König aller Weine! ALLE Stosst an, stosst an, stosst an! ORLOFSKY Die Majestät wird anerkannt rings im Land, Jubelnd wird Champagner der Erste sie genannt. ALLE Die Majestät wird anerkannt rings im Land, Jubelnd wird Champagner der Erste genannt, Es lebe Champagner der Erste! ADELE Dir huldigen Nationen, trala, la la la la la la, Bis zu den fernsten Zonen, trala, la la la la la! Champagner schwemmt mitunter Gar mancherlei hinunter. Drum lassen weise Fürsten Die Völker niemals dürsten. Stosst an, stosst an und huldigt im Vereine Dem König aller Weine! ALLE Stosst an, stosst an, stosst an! ADELE Die Majestät wird anerkannt rings im Land usw.. ALLE Die Majestät wird anerkannt usw.. EISENSTEIN Der Mönch in stiller Zelle, trala, la la la la la la, Labt sich an dem Quelle, trala, la la la la la! Zu netzen seine Lippen, Muss viel und oft er nippen Und holt sich aus dem Glase Rubinen auf die Nase. Stosst an, stosst an und huldigt im Vereine Dem König aller Weine! ALLE Stosst an, stosst an, stosst an! EISENSTEIN Die Majestät wird anerkannt rings im Land usw.. ALLE Die Majestät wird anerkannt rings im Land, Jubelnd wird Champagner der Erste genannt! EISENSTEIN zu Frank Herr Chevalier, ich grüsse Sie! FRANK Merci, merci, merci! Auf Ihr Spezielles, Herr Marquis! FALKE Auf Ihr Wohl, Chevalier und Marquis! EISENSTEIN, FRANK Merci, merci, merci! ROSALINDE, ADELE, IDA, ORLOFSKY Hahaha! ALLE Merci, merci, merci! FALKE Halt, hört mich an, was ich ersann! ALLE Hört ihn an! FALKE Ich seh, dass sich die Paare gefunden, Dass manche Herzen in Liebe verbunden, Drum lasset uns alle ein grosser Verein Von Schwestern und von Brüdern sein! ORLOFSKY Eine grosse Brüderschaft, es sei! ALLE Eine grosse Brüderschaft, es sei! EISENSTEIN zu Rosalinde Auch Ihr, schöne Maske, seid dabei? ROSALINDE Wo alle küssen, werd ich s auch müssen! FALKE Folgt meinem Beispiel, das Glas zur Hand, Und jeder singe, zum Nachbar gewandt Brüderlein, Brüderlein und Schwesterlein Wollen alle wir sein, stimmt mit mir ein! Brüderlein, Brüderlein und Schwesterlein, Lasst das traute Du uns schenken Für die Ewigkeit, immer so wie heut, Wenn wir morgen noch dran denken! Erst ein Kuss, dann ein Du, Du, Du immerzu! ALLE Brüderlein, Brüderlein und Schwesterlein, Stimmet alle mit uns ein. Lasst das traute Du uns schenken Für die Ewigkeit, immer so wie heut, Wenn wir morgen noch dran denken! Erst ein Kuss, dann ein Du, Du, Du immerzu! Duidu, Duidu, la la la! Ballett a) Spanisch b) Russisch c) Böhmisch (Polka) CHOR zur Polka Marianka, komm und tanz me hier! Heut ist s schon vsecko jedno mir! Me tanzen s Polka alle zwei, Wo is e Hetz , is Böhm dabei. Toje heski musitschku, Auf Trumpetel, Klarinettel So wie cesky Musikant Blast me in kein andre Land! Marianka, komm und tanz me hier usw.. d) Ungarisch ORLOFSKY nach dem ungarischen Tanz Genug damit, genug! Diese Tänzer mögen ruhn. Bei rauschender Weise im fröhlichen Kreise Lasset uns selbst hier tanzen nun! ALLE Stellt euch zum Tanz! Ja, ein Tanz, ein wirbelnder Tanz Erhöht des Festes Glanz! ALLE Ha, welch ein Fest, welche Nacht voll Freud ! Liebe und Wein gibt uns Seligkeit. Ging s durch das Leben so flott wie heut, Wär jede Stunde der Lust geweiht! EISENSTEIN sich an Frank haltend Du bist meine Stütze, Freund! FRANK ebenfalls taumelnd Ja, deine Stütze fürs Leben! ROSALINDE, ORLOFSKY, FALKE Welch ein rührend Wiedersehen Wird das im Arreste geben! ALLE Ha, welch ein Fest, welche Nacht voll Freud ! Liebe und Wein gibt uns Seligkeit. Ging s durch das Leben so flott wie heut, Wär jede Stunde der Lust geweiht! FRANK zu Eisenstein Brüderl, meine Uhr geht schlecht, Schau, wieviel s auf deiner ist? EISENSTEIN Brüderl, meine geht auch nicht recht, Weil sie schon gegangen ist! zu Rosalinde Holde, hier vor allen Lass die Maske endlich fallen, Dass ich seh, wer mich besiegt Und wer meine Uhr gekriegt! ROSALINDE Verlang nicht zu schaun, was hier verhüllt, Erbeben würdest du vor diesem Bild! EISENSTEIN Huhu, was heisst denn das? ADELE, IDA Haha, ein guter Spass! ALLE Fürwahr, ein prächtiger Spass! ADELE Bist du ein Mann, schau dir sie an! DAMEN UND HERREN Schau sie an! IDA Zurück jetzt zu weichen, wäre Blamage! DAMEN UND HERREN Schau sie an, schau sie an! EISENSTEIN Oh, ich habe schon Courage! Schätzchen, sträub dich länger nicht! ROSALINDE Hab ein Wimmerl auf der Nase, Drum verberg ich mein Gesicht! EISENSTEIN An das Wimmerl glaub ich nicht! ADELE, FALKE, FRANK Nein, das Wimmerl schreckt ihn nicht! EISENSTEIN Sehen muss ich dies Gesicht! ADELE, IDA, ORLOFSKY, FALKE, FRANK Er muss sehen dies Gesicht! Während er auf Rosalinde eindringt, hat sich Falke an der Standuhr am Kamin zu schaffen gemacht und lässt diese schlagen; der Tanz hört auf. EISENSTEIN, FRANK zählen die Schläge der Uhr Eins! Zwei! Drei! Vier! Fünf! Sechs!! Meinen Hut, meinen Hut, s ist die höchste Zeit! ALLE Seinen Hut, seinen Hut, hört doch, wie er schreit! EISENSTEIN Der Arrest wartet mein! FRANK Längst sollt ich zu Hause sein! Meinen Rock, meinen Rock, gebt mir meinen Rock! ALLE Seinen Hut, seinen Rock, hahaha, Seinen Rock, gebt ihm seinen Hut! Hahaha! FRANK sich an Eisenstein lehnend Eine kurze Strecke gehst du mit mir! EISENSTEIN An der nächsten Ecke, da scheiden wir! BEIDE So lass uns gehn! ALLE Auf Wiedersehn, haha! Ha, welch ein Fest, welche Nacht voll Freud ! Liebe und Wein gibt uns Seligkeit! Ging s durch das Leben so flott wie heut, Dann wäre jede Stund der Lust geweiht! ROSALINDE, ADELE, ORLOFSKY Lala, lala, lala, lala! Eisenstein und Frank bewegen sich schwankend dem Ausgang zu, umringt von den Tanzenden. この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@ 藤井宏行 Strauss,Johann II/Die Fledermaus/III-1
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Subjects-Science-EarthSciences-EnvironmentalScience TITLE NOT SUPPLIED Springer? Springer? ジャンル別? Substores-UnknownASINs-47? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-Chemistry-Inorganic? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Geography? Subjects-Science-Chemistry-Inorganic? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Geography-General? Membranes in Drinking and Industrial Water Production Proceedings of the Iwsa International Specialized Conference on Membranes in Drinking and Industrial Water Production, Held in Amsterdam, the Netherla Intl Water Assn? Iwsa? IntlWaterAssn? Iwsa? ジャンル別? Substores-UnknownASINs-17? Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Technology-General&Reference Integrating the Urban Water Cycle Proceedings of the 11th Iwsa-aspac Regional Conference on Integrating the Urban Water Cycle, Held in Sydney, Australia 1-5 November 1998 Intl Water Assn? Iwa? IntlWaterAssn? Iwa? ジャンル別? Substores-UnknownASINs-17? Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Technology-General&Reference Iwsa International Workshop on Bromates and Water Treatment 22-24 November 1993, Paris Intl Water Assn? Iwsa? IntlWaterAssn? Iwsa? ジャンル別? Substores-UnknownASINs-17? Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Technology-General&Reference Iwsa International Specialized Conference on Disinfection of Potable Water 13-18 May 1994, Kruger National Park, South Africa Intl Water Assn? Iwsa? IntlWaterAssn? Iwsa? ジャンル別? Substores-UnknownASINs-17? Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Technology-General&Reference Iwsa International Specialized Conference on Advanced Treatment and Integrated Water System Management into the 21st Century 15-17 May 1995, Osaka, Japan Intl Water Assn? S. Soemarto? H. Sukarmadidjaya? M. Soedomo? IntlWaterAssn? S.Soemarto? H.Sukarmadidjaya? M.Soedomo? ジャンル別? Substores-UnknownASINs-17? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Technology-General&Reference Business, Pollution Regulation in the 90s (Key Resource) British Library Board? Struan Simpson? Jacqueline Carless? Technology, and Industry British Library. Science? British Library. Science Reference and Information Service? BritishLibraryBoard? StruanSimpson? JacquelineCarless? Technology,andIndustryBritishLibrary.Science? BritishLibrary.ScienceReferenceandInformationService? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-General? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-Pollution-Air? Subjects-Law-EnglishLaw-Financial? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Nonfiction-Economics-NaturalResources Subjects-Nonfiction-Law-EnglishLaw-Financial? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-Air? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Glyphosate (Environmental Health Criteria , No 159) World Health Organization? H. Mensink? WorldHealthOrganization? H.Mensink? ジャンル別? Substores-UnknownASINs-55? Subjects-Engineering-Civil-Environmental-HazardousWaste? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Medicine-Pharmacology-Toxicology? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-HazardousWaste? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-PublicHealth-Toxicology? Subjects-Science-Chemistry-Safety? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Mathematics-Reference? Subjects-Science-Technology-Safety&Health? Subjects-Science-AgriculturalSciences-Insecticides&Pesticides? Subjects-Science-Medicine-Pharmacology-Toxicology? Photochemistry of Environmental Aquatic Systems (Acs Symposium Series) Amer Chemical Society? William J. Cooper? Rod G. Zika? AmerChemicalSociety? WilliamJ.Cooper? RodG.Zika? ジャンル別? Substores-UnknownASINs-24? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-General Subjects-Science-Chemistry-Industrial&Technical? Subjects-Science-Chemistry-NuclearChemistry? Subjects-Science-Chemistry-Photochemistry? Subjects-Science-EarthSciences-EnvironmentalScience Lives of Conifers Fitzhenry & Whiteside Ltd? Graham R. Powell? Fitzhenry&WhitesideLtd? GrahamR.Powell? ジャンル別? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Outdoors&Nature-Flora-Trees-General? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Nature&Ecology-Plants-Trees-General? Water Resources Planning Amer Water Works Assn? American Water Works Association? AmerWaterWorksAssn? AmericanWaterWorksAssociation? ジャンル別? Subjects-Business&Investing-Biographies&Primers-CompanyProfiles? Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-NaturalResources-WaterSupply&LandUse? Subjects-Outdoors&Nature-Environment-WaterSupply? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Nature&Ecology-WaterSupply&LandUse? Subjects-Science-Nature&Ecology-Environment-WaterSupply? Cleaner Cars Fleet Renewal and Scrappage Schemes OECD (Organisation for Economic Co-Operation & Dev? Ecmt? OECD(OrganisationforEconomicCo-Operation&Dev? Ecmt? ジャンル別? Substores-UnknownASINs-55? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-ForeignLanguageNonfiction-French? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Sustainable Land Use in Mountainous Regions of South-east Asia Springer-Verlag? Franz Heidhues? Ludger Hermann? Sibylle Neidhart? Springer-Verlag? FranzHeidhues? LudgerHermann? SibylleNeidhart? ジャンル別? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-UrbanPlanning&Development-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Geography? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Geography-General? Subjects-Science-EarthSciences-Geography-Regional? Subjects-Science-AgriculturalSciences-General? Development and Application of Computer Techniques to Environmental Studies IX (Environmental Studies, Vol 7) Wit Pr/Computational Mechanics? C. A. Brebbia? P. Zannetti? WitPr/ComputationalMechanics? C.A.Brebbia? P.Zannetti? ジャンル別? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-Networks? Subjects-Computers&Internet-General? Subjects-Engineering-Civil-Environmental-General Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience The Nature Specialist A Complete Guide to Program and Activities Amer Camping Assn? Lenore Hendler Miller? AmerCampingAssn? LenoreHendlerMiller? ジャンル別? Subjects-Outdoors&Nature-Ecology-General? Subjects-Outdoors&Nature-OutdoorRecreation-Hiking&Camping-Camping? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Nature&Ecology-General? Subjects-Sports-General? Subjects-Sports-Hiking&Camping-Camping? Sludge Management for the 21st Century Selected Proceedings of the International Specialist Conference on Sludge Management for the 21st Century, Held in Freemantle, Western Australia, 8-10 Intl Water Assn? G. Ho? S. Skrypsi-mantele? IntlWaterAssn? G.Ho? S.Skrypsi-mantele? ジャンル別? Substores-UnknownASINs-42? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Technology-General&Reference Renewable Energy Strategies for Europe Electricity Systems and Primary Electricity Sources (Renewable Energy Strategies for Europe) Brookings Inst Pr? Michael Grubb? Roberto Vigotti? BrookingsInstPr? MichaelGrubb? RobertoVigotti? ジャンル別? Subjects-Business&Investing-Economics-SustainableDevelopment? Subjects-Nonfiction-Economics-SustainableDevelopment? Subjects-Outdoors&Nature-Ecology-LivingontheLand? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Accounting&Finance-Economics-SustainableDevelopment? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Technology-RenewableEnergy? The Physical Oceanography of Sea Straits (Nato Science Series Series C Mathematical and Physical Sciences) Kluwer Academic Pub? France) NATO Advanced Research Workshop on the Physical Oceanography of Sea Straits (1989 Les Arcs? L. J. Pratt? North Atlantic Treaty Organization. Scientific Affairs Division? KluwerAcademicPub? France)NATOAdvancedResearchWorkshoponthePhysicalOceanographyofSeaStraits(1989 LesArcs? L.J.Pratt? NorthAtlanticTreatyOrganization.ScientificAffairsDivision? ジャンル別? Substores-UnknownASINs-20? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Geology-General? Subjects-Science-General Subjects-Science-Nature&Ecology-Oceans&Seas-Oceanography-General? Subjects-Science-Nature&Ecology-Oceans&Seas-Oceanography-Physical? Enhancing Security in the Wastewater Sector A Prioritized Research Agenda (Werf Report) Intl Water Assn? R. S. Raucher? IntlWaterAssn? R.S.Raucher? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Technology-General&Reference Mechanische Verfahrenstechnik - Partikeltechnologie 1 Springer-Verlag Berlin and Heidelberg GmbH & Co. K? Matthias Stiess? Siegfried Ripperger? Springer-VerlagBerlinandHeidelbergGmbH&Co.K? MatthiasStiess? SiegfriedRipperger? ジャンル別? Subjects-Engineering-Chemical-General? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-Chemistry-Industrial&Technical? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-EarthSciences-EnvironmentalScience The Quiet Crisis and the Next Generation Gibbs Smith? Stewart L. Udall? GibbsSmith? StewartL.Udall? ジャンル別? Substores-UnknownASINs-27? Subjects-Business&Investing-Economics-SustainableDevelopment? Subjects-Nonfiction-Economics-SustainableDevelopment? Subjects-Outdoors&Nature-Conservation-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Accounting&Finance-Economics-SustainableDevelopment? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Carbon Tetrachloride (Environmental Health Criteria) World Health Organization? World Health Organisation? WorldHealthOrganization? WorldHealthOrganisation? ジャンル別? Substores-UnknownASINs-55? Subjects-Medicine-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Medicine-General? Environmental Carcinogens Methods of Analysis and Exposure Measurement Benzene and Alkylated Benzenes (I a R C Scientific Publication) Intl Agency for Research on Cancer? L. Fishbein? I. K. O Neill? IntlAgencyforResearchonCancer? L.Fishbein? I.K.O Neill? ジャンル別? Subjects-Medicine-Research-General? Subjects-Medicine-InternalMedicine-Oncology? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-PublicHealth-Toxicology? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Medicine-Research-General? Subjects-Science-Medicine-InternalMedicine-Oncology? Praktische Umweltmedizin Springer-Verlag Berlin and Heidelberg GmbH & Co. K? Springer-VerlagBerlinandHeidelbergGmbH&Co.K? ジャンル別? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Coastal State Jurisdiction over Vessel-Source Pollution (International Environmental Law and Policy Series, V. 51) Kluwer Law Intl? Erik Jaap Molenaar? KluwerLawIntl? ErikJaapMolenaar? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-Pollution-Marine? Subjects-Law-Specialties-Maritime? Subjects-Law-Environmental&NaturalResourcesLaw? Subjects-Law-InternationalLaw-General? Subjects-Law-General? Subjects-Nonfiction-Law-Specialties-Maritime? Subjects-Nonfiction-Law-Environmental&NaturalResourcesLaw? Subjects-Nonfiction-Law-InternationalLaw-General? Subjects-Nonfiction-Law-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-Marine? Subjects-Professional&Technical-Law-Environmental&NaturalResourcesLaw? Subjects-Professional&Technical-Law-InternationalLaw? Subjects-Professional&Technical-Law-Specialties-Maritime? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Marine Organic Matter (Handbook of Environmental Chemistry) Springer-Verlag Berlin and Heidelberg GmbH & Co. K? J.K. Volkman? Springer-VerlagBerlinandHeidelbergGmbH&Co.K? J.K.Volkman? ジャンル別? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Persistent Organic Pollutants in the Great Lakes (Handbook of Environmental Chemistry) Springer-Verlag Berlin and Heidelberg GmbH & Co. K? Ronald A. Hites? Springer-VerlagBerlinandHeidelbergGmbH&Co.K? RonaldA.Hites? ジャンル別? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Chemistry for Green Environment Narosa Pub House? M. M. Srivastava? Rashmi Sanghi? NarosaPubHouse? M.M.Srivastava? RashmiSanghi? ジャンル別? Subjects-Medicine-Specialties-Pathology-ClinicalChemistry? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Pathology-ClinicalChemistry? Subjects-Science-Chemistry-General&Reference? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Medicine-Specialties-Pathology-ClinicalChemistry? Acidification of Organic Waters in Kejimkujik National Park Nova Scotia Proceedings Kluwer Academic Pub? Joseph J. Kerekes? KluwerAcademicPub? JosephJ.Kerekes? ジャンル別? Substores-UnknownASINs-20? Subjects-Engineering-Civil-Environmental-Pollution-General? Subjects-Outdoors&Nature-Ecology-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-General? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-General Subjects-Science-Nature&Ecology-General? Marine Specially Protected Areas The General Aspects and the Mediterranean Regional System (International Environmental Law and Policy Series, V.52) Kluwer Law Intl? Tullio Scovazzi? KluwerLawIntl? TullioScovazzi? ジャンル別? Subjects-Engineering-Civil-Environmental-Pollution-Marine? Subjects-Law-Environmental&NaturalResourcesLaw? Subjects-Law-InternationalLaw-General? Subjects-Nonfiction-Law-Environmental&NaturalResourcesLaw? Subjects-Nonfiction-Law-InternationalLaw-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-Marine? Subjects-Professional&Technical-Law-Environmental&NaturalResourcesLaw? Subjects-Professional&Technical-Law-InternationalLaw? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Introduction of Non-native Organisms into the Natural Environment (Nature and Environment) Council of Europe? CouncilofEurope? ジャンル別? Substores-UnknownASINs-56? Subjects-Outdoors&Nature-Ecology-General? Subjects-Outdoors&Nature-Environment-Conservation? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-Nature&Ecology-General? Subjects-Science-Nature&Ecology-Environment-Conservation? Environment and Health the European Charter and Commentary The European Charter and Commentary (Who Regional Publications. European Series, No. 35) World Health Organization? Germany) European Conference on Environment and Health (1st 1989 Frankfurt am Main? Michael J. Suess? WorldHealthOrganization? Germany)EuropeanConferenceonEnvironmentandHealth(1st 1989 FrankfurtamMain? MichaelJ.Suess? ジャンル別? Substores-UnknownASINs-56? Subjects-Health,Mind&Body-General? Subjects-Medicine-Administration&Policy-HealthCareDelivery? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Outdoors&Nature-Conservation-General? Subjects-Outdoors&Nature-Environment-Conservation? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-HealthCareDelivery? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Nature&Ecology-Environment-Conservation? Subjects-Science-Medicine-Administration&Policy-HealthCareDelivery? Acute Effects on Health of Smog Episodes (WHO Regional Publications, European Series) World Health Organization? World Health Organisation? WorldHealthOrganization? WorldHealthOrganisation? ジャンル別? Substores-UnknownASINs-56? Subjects-Health,Mind&Body-General? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Science-EarthSciences-EnvironmentalScience Nuclear Power and Health The Implications for Health of Nuclear Power Production (European Series , No 51) World Health Organization? World Health Organisation? WorldHealthOrganization? WorldHealthOrganisation? ジャンル別? Substores-UnknownASINs-56? Subjects-Engineering-Nuclear? Subjects-Engineering-Energy-Nuclear? Subjects-Health,Mind&Body-General? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Nuclear? Subjects-Professional&Technical-Engineering-Energy-Nuclear? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-PublicHealth-Toxicology? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Technology-Safety&Health? Dinosaur Studies Commemorating the 150th Anniversary of Richard Owens Dinosauria Gordon & Breach Science Pub? Halstead/? Gordon&BreachSciencePub? Halstead/? ジャンル別? Substores-UnknownASINs-43? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Enivironment and Health (EEA Environmental Monograph) World Health Organization? World Health Organisation? WorldHealthOrganization? WorldHealthOrganisation? ジャンル別? Substores-UnknownASINs-67? Subjects-Health,Mind&Body-General? Subjects-Medicine-Pharmacology-Toxicology? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Medical-Pharmacology-Toxicology? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Medicine-Pharmacology-Toxicology? Environmental Health Services in Europe 1 An Overview of Practice in the 1990s (WHO Regional Publications, European Series) World Health Organization? Ian MacArthur? WorldHealthOrganization? IanMacArthur? ジャンル別? Substores-UnknownASINs-56? Subjects-Medicine-General? Subjects-Medicine-Pharmacology-Toxicology? Subjects-Medicine-AlliedHealthProfessions-EmergencyMedicalServices? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Medical-Pharmacology-Toxicology? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Medicine-General? Subjects-Science-Medicine-Pharmacology-Toxicology? Subjects-Science-Medicine-AlliedHealthProfessions-EmergencyMedicalServices? Environmental Health Services in Europe 2 Policy Options (WHO Regional Publications, European) World Health Organization? Ian MacArthur? WorldHealthOrganization? IanMacArthur? ジャンル別? Substores-UnknownASINs-56? Subjects-Medicine-Administration&Policy-HealthCareDelivery? Subjects-Medicine-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-HealthCareDelivery? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Medicine-Administration&Policy-HealthCareDelivery? Subjects-Science-Medicine-General? Multidisciplinary Design Approach and Safety Analysis of Adsr Cooled by Buoyancy Driven Flows Ios Pr Inc? C. A. Ceballos Castillo? IosPrInc? C.A.CeballosCastillo? ジャンル別? Subjects-Engineering-Nuclear? Subjects-Outdoors&Nature-Ecology-LivingontheLand? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Nuclear? Subjects-Professional&Technical-ProfessionalScience-Physics-NuclearPhysics? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Physics-NuclearPhysics-General? Subjects-Science-Technology-RenewableEnergy? Environmental Health Services in Europe 3 Professional Profiles (WHO Regional Publications, European) World Health Organization? Martin Fitzpatrick? WorldHealthOrganization? MartinFitzpatrick? ジャンル別? Substores-UnknownASINs-56? Subjects-Health,Mind&Body-General? Subjects-Medicine-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Medicine-General? Flame Retardants Tris Chloroopropyl Phosphate Tris 2-chloroethyl Phosphate (Environmental Health Criteria Series) World Health Organization? United Nations Environment Programme? WorldHealthOrganization? UnitedNationsEnvironmentProgramme? ジャンル別? Substores-UnknownASINs-55? Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Medicine-General? Subjects-Medicine-Pharmacology-Toxicology? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Medicine-Administration&Policy-PublicHealth? Subjects-Science-Medicine-General? Subjects-Science-Medicine-Pharmacology-Toxicology? Complex Interactions in Lake Communities Springer-Verlag Berlin and Heidelberg GmbH & Co. K? Stephen R. Carpenter? Springer-VerlagBerlinandHeidelbergGmbH&Co.K? StephenR.Carpenter? ジャンル別? Substores-UnknownASINs-47? Subjects-Outdoors&Nature-Ecology-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-Nature&Ecology-General? The Ecology of Areas With Serpentinized Rocks A World View (Geobotany) Kluwer Academic Pub? B. A. Roberts? J. Proctor? KluwerAcademicPub? B.A.Roberts? J.Proctor? ジャンル別? Substores-UnknownASINs-20? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Outdoors&Nature-Flora-General? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Botany? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Ecology-Plant? Subjects-Science-General Subjects-Science-Nature&Ecology-Plants-General? Subjects-Science-BiologicalSciences-Botany-General? Remote Sensing for Resources Development and Environmental Management Aa Balkema? M. C. Damen? Siccol Smit? H. T. Verstappen? AaBalkema? M.C.Damen? SiccolSmit? H.T.Verstappen? ジャンル別? Substores-UnknownASINs-55? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-EarthSciences-EnvironmentalScience 洋書
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Debris Flow Hazards and Their Control in China Science Pr? Kang Zhicheng? SciencePr? KangZhicheng? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-General? Subjects-Science-EarthSciences-General? Subjects-Science-General Selected Papers of Engineering Chemistry and Metallurgy (China)1995 Science Pr? Mao Minghua? Xia Guang? SciencePr? MaoMinghua? XiaGuang? Substores-UnknownASINs-53? Subjects-Science-General Subjects-Science-Technology-General&Reference Computers and Applied Chemistry 1994-1995 (Computer Chemistry Monograph, 4) Science Pr? Wang Hong? Ma Dexian? SciencePr? WangHong? MaDexian? Substores-UnknownASINs-53? Subjects-Science-General Subjects-Science-Technology-General&Reference Phanerozoic Geology of Northwest China Science Pr? Zhou Zhiyi? W. T. Dean? SciencePr? ZhouZhiyi? W.T.Dean? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-General? Subjects-Science-EarthSciences-General? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-EarthSciences-Geology-SpecificLocations? Subjects-Science-General Crust-Mantle Thermal Structure and Tectonothermal Evolution of the Tibetan Plateau Science Pr? Shen Xianjie? SciencePr? ShenXianjie? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-General? Subjects-Science-EarthSciences-General? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-General Testing, Evaluation and Shallow Land Burial of Low and Medium Radioactive Waste Forms (Radioactive Waste Management, Vol 13) Harwood Academic Pub? W. Krischer? R. Simon? HarwoodAcademicPub? W.Krischer? R.Simon? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-48? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Engineering-Nuclear? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement? 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A. Petrov? HarwoodAcademicPub? G.B.Manelis? Y.G.Trishin? E.V.Polianchik? V.N.Shistokietov? A.A.Petrov? Substores-UnknownASINs-48? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Science-Chemistry-General&Reference? Subjects-Science-General Tapeworms of the Genus Proteocephalus Weinland, 1858 Cestoda Proteocephalidae Parasites of Fishes in Europe (Studie 1998, 2) Academia? Tomas Sholz? Vladimira Hanzelova? Academia? TomasSholz? VladimiraHanzelova? ユーズドブック(洋書)-Science? Subjects-Science-General Subjects-Science-BiologicalSciences-Biology-General? Subjects-Science-General 洋書
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概要 "Upgrade"選択で開ける画面についてのページです。 アップグレード画面では主にカードのサルベージ、レベルアップ、フュージョンを行うことができます。 サルベージではカードと引き換えにサルベージポイント(以下SP)を入手できます。 レベルアップではSPと引き換えにカードのレベルを上げることができます。 フュージョンでは特定のカード二枚又は三枚で別のカードを作成することができます。 サルベージ クリックで選択状態になっているカードを左下のオレンジの"Salvage"でサルベージできます。 選んだカードをサルベージした時に得られるSPが"Salvage"の上に表示されます。 サルベージを行った場合、選択していたカードは失われ、そのカードのレアリティとレベルに応じたSPを入手できます。 現在のSPは画面左上に表示されており、その上限350を超えてSPを得ることはできません。 コマンダーはサルベージできません。 カードを選択しているのに"Salvage"が押せない場合は選択したカードがコマンダーであるか、ロックがかかっている可能性があります。 画面の左端にある鍵のマークに斜線が入っていない場合はサルベージがロックされており、サルベージを行うことができません。鍵のマークをクリックすることでロックの解除/設定が可能です。 SP変換表 レベル 1 2 3 4 5 6 Common 1 2 5 - - - Rare 5 10 15 20 - - Epic 20 25 30 40 50 65 Legendary 40 45 60 75 100 125 Vindicator 80 85 100 125 175 250 レベルアップ クリックで選択状態になっているカードを右下の"Upgrade"でレベルアップできます。 選んだカードのレベルをひとつあげるのに必要なSPがその上に表示されています。 カードのレアリティとレベルによって必要なSPは変わり、コマンダーのレベルアップには同レアリティ同レベルのアサルト・ストラクチャーに比べて二倍のSPを必要とします。 レベルアップ表 アサルト・ストラクチャー レベル 1 2 2 3 3 4 4 5 5 6 合計 Common 5 15 - - - 20 Rare 5 15 30 - - 50 Epic 5 15 30 75 150 275 Legendary 5 15 30 75 150 275 Vindicator 5 15 30 75 150 275 コマンダー レベル 1 2 2 3 3 4 4 5 5 6 合計 Rare 10 30 60 - - 100 Epic 10 30 60 150 300 550 Legendary 10 30 60 150 300 550 flight club broadway phone number authentic jordan for cheap http //go-knights.com/authenticjordans.aspx -- (authentic jordan for cheap) 2014-09-23 06 27 29 christian louboutin lace up heels louboutin high heels from burlesque http //uisprairiestars.com/womens.aspx -- (louboutin high heels from burlesque) 2014-09-23 06 30 49 [Nota mi sto concentrando su bande, qui, ma questa voce avrebbe potuto altrettanto facilmente stato le vostre abilit脿 sul vostro calcio della Large School Staff o Il tuo regno come il Re della vostra scuola Reparto Alta Teatro.] patchwork duvet covers http //www.pomeziarugby.it/it/patchwork-duvet-covers.html -- (patchwork duvet covers) 2014-10-10 20 48 44 I giapponesi, mangiatori di ogni sorta di cose disgustose, erano state mangiando uova di puttana per un tempo molto lungo. 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ZWEITER AUFZUG Burggarten zu Nevers wie vorher; die Gruftfenster erscheinen im matten Dämmerlicht. Gewitterhimmel, Nacht, Donner und Blitz ERSTER AUFTRITT Lysiart erregt von rechts hinten herbeieilend, allein Nr. 10 - Recitativ und Arie Recitativ LYSIART Wo berg ich mich? Wo fänd ich Fassung wieder? Ha! toller Frevelwahn, du warst es ja, Der sie als leichte Beute sah! Ihr Felsen, stürzt auf mich hernieder! Du Wiederhall, ruf nicht das Ach Des hoffnungslosen Strebens nach! Nie wird sie mein! O ew ger Qualen Hyder! Schweigt, glüh nden Sehnens wilde Triebe, Ihr Auge sucht den Himmel nur; In ihr wohnt Unschuld, Anmut, Liebe, Ganz Wahrheit ist sie, ganz Natur. Schweigt, wilde Triebe! schweigt, wilde Triebe! Ihr Auge sucht den Himmel nur; In ihr wohnt Unschuld, Anmut, Liebe, Ganz ist sie Wahrheit, ganz Natur! Ganz Natur! - Schweigt, glühnden Sehnens wilde Triebe, Ihr Auge sucht den Himmel nur! Was soll mir ferner Gut und Land? Die Welt ist arm und öde ohne sie! Mein ihre Huld?! - Mein wird sie nie! Vergiss, Unseliger! Entflieh ! Sie liebt ihn! - Und er sollte leben? Ich schmachtend beben? Im Staube Sieg ihm zugestehn? O nein! Er darf nicht leben, Ich mord ihn unter tausend Wehn! Doch, Hölle! Du kannst sie mir auch nicht geben; Sie liebt ihn! - Ich muss untergehn! Arie So weih ich mich den Rach gewalten, Sie locken mich zu schwarzer That! Geworfen ist des Unheils Saat, Der Todeskeim muss sich entfalten! Zertrümm re, schönes Bild! Fort, letzter, süsser Schmerz! Nur sein Verderben füllt die Brust! Zertrümmre, schönes Bild! Fort, letzter, süsser Schmerz! Nur sein Verderben füllt Die sturmbewegte Brust! Er zieht sich beobachtend nach rechts vorn zurück. Eglantine atemlos mit dem Ring aus dem Gruftgewölbe links hinten stürzend, dessen Thür hinter ihr zuschlägt ZWEITER AUFTRITT Lysiart rechts vorn beobachtend. Eglantine Nr. 11 - Recitativ und Duett Recitativ EGLANTINE Der Gruft entronnen, atm ich wieder! Ich halte dich, du unter Todesschauern, Errungnes Unterpfand der süssen Rache! Verhängnisvoller Ring, bezeuge du, Dass Euryanthe Lieb und Treu verraten, Und grässlich büsse, der mein Herz verwarf! LYSIART für sich Was hör ich? Glück! Willkommne Höllenkunde! EGLANTINE Sie dürfen nie sich wiedersehn! Der Schlag muss fallen wie aus heitrer Luft, Zermalmen Liebe, Hoffnung, Glück, In Ewigkeit von Adolar sie trennen! Wie führ ich diesen Schlag? Blitz LYSIART rasch hervortretend Durch meine Hand! Donner, tiefstes Dunkel EGLANTINE zu seiner Linken Ich bin verloren! LYSIART Ruhig, ruhig, Bundgenossin; EGLANTINE Was willst du mir? LYSIART Dein finstres Werk vollziehn. Noch heut sollst du die Feindin elend sehn, Und Adolar gestraft, der dich gekränkt. EGLANTINE Du hast mir mein Geheimnis abgelauscht! LYSIART sich vor ihr beugend Zur Sühne beut dir Forest seine Hand, Die Fesseln wandl ich in ein Rosenband. Beherrschen sollst du diese reichen Gauen, Heil, Ehre, Leben darfst du mir vertrauen! EGLANTINE Und sprichst du wahr? LYSIART Bei Rache, Wut und Glut Des ew gen Hasses, ja! EGLANTINE Ich glaube dir! Duett EGLANTINE Komm denn, unser Leid zu rächen, Enden soll der Seele Qual! LYSIART Nimm mein feierlich Versprechen, Rächer werd ich und Gemahl! EGLANTINE Trostlos muss sie untergehn, Die mein Leben mir geraubt! LYSIART In dem Staub muss ich ihn sehn, Der zu Sternen hob sein Haupt! EGLANTINE Trostlos muss sie untergehn, Die mein Leben mir geraubt! Komm denn, unser Leid zu rächen, Enden soll der Seele Qual! LYSIART In dem Staub muss ich ihn sehn, Der zu Sternen hob sein Haupt! Nimm mein feierlich Versprechen, Enden soll der Seele Qual! BEIDE Dunkle Nacht, du hörst den Schwur! Sei mit unsrer That im Bunde! Dunkle Nacht, du hörst den Schwur! Ja, es schlägt der Rache Stunde, Rache, Rache atm ich nur! Ja, es schlägt der Rache Stunde, Sei mit unsrer That im Bunde, Dunkle Nacht! dunkle Nacht! Nacht, du hörst den Schwur? Rache atm ich nur! Beide ab rechts hinten Verwandlung Festlich erleuchtete Säulenhalle des Königsschlosses. In der Mitte ein offener Altan mit der Aussicht auf eine Mondlandschaft; Mitte rechts (offen) zum Innern des Schlosses; Mitte links (offen) allgemeiner Eingang. Vor den Eingängen eine Estrade, zu der einige Stufen führen, in der ganzen Breite des Saales. Vor der Estrade zwei Kandelaber mit brennenden Lichtern. Ein Kronleuchter mit brennenden Lichtern DRITTER AUFTRITT Adolar im Festgewande von Mitte links; allein Nr. 12 - Arie ADOLAR Wehen mir Lüfte Ruh , Strömen mir Düfte zu Seliger Zeit? Füllst du nach bangem Schmerz Wieder mein ganzes Herz, Süssestes Leid? Liebe, wie lebst du neu, Hoffen, wie webst du treu Bilder der Lust! Glaube, wie wankst du nicht, Herz, wie erbangst du nicht In meiner Brust! Herz, wie erbangst du nicht? Glaube, du wankest nicht! Sie ist mir nah! Sie ist mir nah! Mein Bangen war ein Traum! O Seligkeit, dich fass ich kaum! Ihr Auge wird mir strahlen, Ihr Himmelsreiz mir blüh n. O wie Erwartungsqualen Dies trunk ne Herz durchglüh n! Sie ist mir nah! Sie ist mir nah! Euryanthe von rechts hinten vor der Estrade, in Adolars Arme eilend VIERTER AUFTRITT Euryanthe. Adolar zu ihrer Linken Nr. 13 - Duett EURYANTHE, ADOLAR. Hin nimm die Seele mein, Atme mein Leben ein! Lass mich ganz du nur sein! Ganz bin ich dein! Hin nimm die Seele mein, Atme mein Leben ein! Hin nimm die Seele mein, Lass mich ganz du nur sein! Seufzer, wie Flammen weh n, Selig um Lind rung fleh n, Lass mich in Lust und Weh n An deiner Brust vergeh n. Hin nimm die Seele mein, Atme mein Leben ein! Hin nimm die Seele mein, Lass mich ganz du nur sein! Atme mein Leben ein, Ganz bin ich dein! Hin nimm die Seele mein, Lass mich ganz du nur sein! Hin nimm die Seele mein, Mein Leben atme ein! Lass mich in Lust und Weh n, An deiner Brust vergeh n! Sie verweilen in Umarmung Zwei Trabanten mit Lanzen, kommen von ausserhalb der Thür Mitte rechts und nehmen draussen Stellung als Wachen. Acht Trabanten mit Lanzen, marschieren von Mitte links herein und nehmen, indem sie die drei Mittelöffnungen gangbar lassen, auf der Estrade Stellung. Zwei Trabanten mit Lanzen, bleiben ausserhalb Mitte links als Wachen sichtbar. Die Edlen und Ritter kommen vor der Estrade von rechts und links und nehmen auf der rechten und linken Seite Aufstellung; sie begrüssen Euryanthe und Adolar. Adolar führt Euryanthe bei den Edlen und Rittern umher FÜNFTER AUFTRITT Adolar. Euryanthe. Edle. Ritter. Trabanten Nr. 14 - Finale CHOR Leuchtend füllt die Königshallen Euryanthes Wunderpracht. Stern der Anmut, hold vor allen, Strahle rein durch jede Nacht! Sechs Königspagen erscheinen von Mitte rechts und bilden auf den Stufen Spalier. Der König erscheint mit vier Fürsten von ebenda SECHSTER AUFTRITT Die Vorigen. Der König tritt vor und nimmt die Mitte. Adolar und Euryanthe zu seiner Rechten. Die vier Fürsten nehmen hinter dem König Aufstellung. Die sechs Königspagen treten zwischen die beiden Kandelaber und bleiben dort bis zum Schluss des Aufzugs. Die Trabanten salutieren. Die Edlen und Ritter stehen zur Rechten und Linken CHOR Leuchtend füllt die Königshallen Euryanthes Wunderpracht. Stern der Anmut, hold vor allen, Strahle rein durch jede Nacht! KÖNIG Ich grüss Euch, edles Fräulein! EURYANTHE O mein König, Wie mild und väterlich blickt Ihr auf mich! KÖNIG Du holdes Kind, nichts trübe deine Ruh ! EURYANTHE Es schützen mich die Strahlen Eurer Huld! Doch, mein Gebieter, Frankreichs hohe Frauen Vermiss ich hier. KÖNIG Bald heissen sie Euch alle Willkommen, freudig hoff ich s, hoff es fest. Acht Pagen Lysiarts kommen von Mitte links und bilden auf den Stufen Spalier. Zwei Herolde von Mitte links, jeder mit einem Banner mit dem Wappen von Nevers und Rethel, treten bis an den Rand der Stufen vor. Lysiart tritt von Mitte links zwischen den Herolden durch bis an den Rand der Stufen. Zwei Ritter Lysiarts von Mitte links, hinter ihm SIEBENTER AUFTRITT Die Vorigen. Lysiart. Zwei Ritter, zwei Herolde und acht Pagen Lysiarts. Alle Anwesenden wenden sich erstaunt nach hinten und geben Raum LYSIART Mein König! Er tritt vor, dem König zur Linken CHOR Jetzt schlägt der Entscheidung Stunde; Allwissender, verleih der Wahrheit Sieg! EURYANTHE Mich fasst ein Grauen! ADOLAR UND KÖNIG Mut und Vertrauen! LYSIART Vernimm, es muss ja sein, von meinem Munde Ein Glück, das ich so gern verschwieg Die Lande Adolars sind mein! ADOLAR Dies Engelsantlitz straft dich Lügen. Nein! ADOLAR UND KÖNIG Es ist unmöglich! EURYANTHE Wie, mein Adolar, Was ist geschehn? O löse dieses Bangen? ADOLAR Komm an mein Herz! Von deinem Arm umfangen, Der Hölle Trotz! Dies Engelsantlitz kann nicht lügen, Nein, nein, nein! es ist unmöglich, nein! LYSIART Beweise bring ich dar. CHOR Weh, Euryanthe, was hast du begangen? LYSIART Bewundernswürdig ist s gelungen, Dies stolze Herz im Sturm errungen! EURYANTHE Was hör ich! Lysiart! Errungen! Ihr! Mein Herz? - Den Blick erhobt Ihr nicht zu mir. LYSIART So schnöde nun, so liebreich noch zur Stunde? ADOLAR Zur Fehde! zur Fehde! ADOLAR, CHOR Zur Fehde! zur Fehde! zur Fehde! KÖNIG Nein, gebt klare Kunde, Zeigt den Beweis! LYSIART zieht einen Ring vom Finger Dies Unterpfand Der Liebe reichte mir die schönste Hand, Mit Trauer muss ich wiedergeben, Was ich empfangen ohne Widerstand! Er giebt Euryanthe den Ring EURYANTHE den Ring emporhebend und auf die Kniee stürzend Der du die Unschuld kennst, beschütz mein Leben! Und wollte mich ein Höllennetz umweben, Du rettest mich, wirst aus der Nacht mich heben! ADOLAR zu Lysiart Nein, du errangst den Ring durch List! Indem er Euryanthe aufhebt Mein reiner Engel, kannst du zagen? LYSIART Wer sonst als Euryanth und du kann sagen, Was dieses Rings Bedeutung ist? Die Gruft nur kannte Emmas Thaten! ADOLAR Sprich, Euryanthe! hast du mich verraten? EURYANTHE O Unglücksel ge! ADOLAR Brachst du deinen Eid? EURYANTHE Ich that es. ADOLAR Schlange! EURYANTHE Unermesslich Leid! Doch treulos bin ich nicht. ADOLAR Verworfne du, Verstumme! LYSIART Höre mir mit Fassung zu. Die Wahrheit sprech ich kühn und frei In heller Mondennacht, am letzten Mai - ADOLAR Vollende nicht, nimm alles, alles hin, Mein Leben mit! EURYANTHE wendet sich, an Adolar vorüber, auf die rechte Ecke Ach! CHOR Ha, die Verräterin! O Unthat, grässlichste von allen, Die jemals auf der Welt erhört! Der Treue Bündnis frech zerstört, Von Himmelshöh n in Staub gefallen! EURYANTHE Lass mich empor zum Lichte wallen, Du, der die inn re Stimme hört! KÖNIG Mein Glaub an Tugend ist zerstört, Denn dieser Engel konnte fallen. EURYANTHE Lass mich empor zum Lichte wallen, Du, der die inn re Stimme hört! LYSIART Triumph! mein Flehen ist erhört Und meinen Sieg sehn diese Hallen! ADOLAR Fern in das Elend will ich wallen, Wo niemand meinen Namen hört. CHOR O Unthat, grässlichste von allen, Der Treue Bündnis frech zerstört, Von Himmelshöh n in Staub gefallen! Ha, die Verräterin! O Unthat, grässlichste von allen, Die jemals auf der Welt erhört! Der Treue Bündnis frech zerstört, Von Himmelshöh n in Staub gefallen, Der Treue Bund zerstört! LYSIART kniet nieder Verleih mein Recht mir, grosser König, nun! Als Graf zu Nevers huldigt dir dein Knecht! Die zwei Herolde Lysiarts mit ihren Bannern treten von der Estrade herunter und nehmen hinter dem König Aufstellung. Die zwei Ritter Lysiarts nähern sich ihrem Herrn und treten ihm zur Linken KÖNIG nimmt das Banner des ihm zur Linken stehenden Herolds, schwenkt es über Lysiart und giebt es dem Herold zurück Nimm hin das neue Leh n, üb Treu und Recht! Dir möge Gott nach deinen Werken thun. Er ergreift das Banner des ihm zur Rechten stehenden Herolds, schwenkt es über Lysiart und giebt es dem Herold zurück. Die Versammelten Adolar, Pagen, Herolde und Wachen ausgenommen, ziehen die Schwerter und halten sie mit beiden Händen vor die Brust, die Spitze nach oben gerichtet. Nach Beendigung der Belehnung werden die Schwerter eingesteckt. Lysiart erhebt sich. Die links stehenden Edlen des Königs ziehen sich nach rechts hinüber zu den andern. Das Gefolge Lysiarts nimmt die linke Seite. Die Pagen Lysiarts treten vor und nehmen hinter den Rittern links Aufstellung ADOLAR ergreift Euryanthe bei der linken Hand und will sie mit sich fortziehen Komm Euryanth ? EURYANTHE Willkommenes Gebot! Ich folge dir in Not und Tod! CHOR Wir alle wollen mit dir gehn, Wir all sind dein mit Gut und Blut. ADOLAR O lasst, kein Auge soll mich sehn! LYSIART Könnt ich nun ganz ihn elend sehn! CHOR Wir alle wollen mit dir gehn, Wir all sind dein mit Gut und Blut! KÖNIG Mein Jüngling, du willst von mir gehn? CHOR Wir alle wollen mit dir gehn, Wir all sind dein mit Gut und Blut! ADOLAR O lasst, kein Auge soll mich sehn! LYSIART Könnt ich nun ganz ihn elend sehn! Wie schwelgt in seiner Qual die Wut! EURYANTHE Vernimm, o Gott, der Unschuld Flehn, Es wallt dein Kind in deiner Hut. ADOLAR Fern in das Elend will ich wallen, Wo niemand meinen Namen hört! KÖNIG Mein Jüngling, du willst von mir gehn? LYSIART Könnt ich nun ganz ihn elend sehn, Wie schwelgt in seiner Qual die Wut! EURYANTHE Vernimm, o Gott, der Unschuld Flehn! Es wallt dein Kind in seiner Hut! CHOR Wir alle wollen mit dir gehn, Wir all sind dein mit Gut und Blut! Ha, die Verräterin! O Unthat! KÖNIG Mein Jüngling, du willst von mir gehn? ADOLAR O lasst! kein Auge soll mich sehn! LYSIART Könnt ich nun ganz ihn elend sehn! CHOR O Unthat, grässlichste von allen, Die jemals auf der Welt erhört! Der Treue Bündnis frech zerstört, Von Himmelshöh n in Staub gefallen! ALLE Du gleissend Bild, du bist enthüllt. Schnell folgte Strafe deinen Thaten! Du bist enthüllt, du gleissend Bild! EURYANTHE Hört niemand denn der Unschuld Flehn? Sie wendet sich flehend und ihre Unschuld beteuernd zu den Rittern. Alle weisen sie barsch zurück und sie wirft sich dem König zu Füssen. Der König wendet sich kurz von ihr ab. Euryanthe wankt nach vorn, sinkt auf die Knie und hebt die gefalteten Hände empor ALLE Weh! das Mass des Frevels ist gefüllt! Du gleissend Bild, du bist enthüllt! Das Mass des Frevels ist gefüllt! Weh dir! die Lieb und Treu verraten! Du gleissend Bild, du bist enthüllt! Adolar nähert sich Euryanthe, ergreift sie bei der Hand und zieht sie nach Mitte links ab ZWEITER AUFZUG Burggarten zu Nevers wie vorher; die Gruftfenster erscheinen im matten Dämmerlicht. Gewitterhimmel, Nacht, Donner und Blitz ERSTER AUFTRITT Lysiart erregt von rechts hinten herbeieilend, allein Nr. 10 - Recitativ und Arie Recitativ LYSIART Wo berg ich mich? Wo fänd ich Fassung wieder? Ha! toller Frevelwahn, du warst es ja, Der sie als leichte Beute sah! Ihr Felsen, stürzt auf mich hernieder! Du Wiederhall, ruf nicht das Ach Des hoffnungslosen Strebens nach! Nie wird sie mein! O ew ger Qualen Hyder! Schweigt, glüh nden Sehnens wilde Triebe, Ihr Auge sucht den Himmel nur; In ihr wohnt Unschuld, Anmut, Liebe, Ganz Wahrheit ist sie, ganz Natur. Schweigt, wilde Triebe! schweigt, wilde Triebe! Ihr Auge sucht den Himmel nur; In ihr wohnt Unschuld, Anmut, Liebe, Ganz ist sie Wahrheit, ganz Natur! Ganz Natur! - Schweigt, glühnden Sehnens wilde Triebe, Ihr Auge sucht den Himmel nur! Was soll mir ferner Gut und Land? Die Welt ist arm und öde ohne sie! Mein ihre Huld?! - Mein wird sie nie! Vergiss, Unseliger! Entflieh ! Sie liebt ihn! - Und er sollte leben? Ich schmachtend beben? Im Staube Sieg ihm zugestehn? O nein! Er darf nicht leben, Ich mord ihn unter tausend Wehn! Doch, Hölle! Du kannst sie mir auch nicht geben; Sie liebt ihn! - Ich muss untergehn! Arie So weih ich mich den Rach gewalten, Sie locken mich zu schwarzer That! Geworfen ist des Unheils Saat, Der Todeskeim muss sich entfalten! Zertrümm re, schönes Bild! Fort, letzter, süsser Schmerz! Nur sein Verderben füllt die Brust! Zertrümmre, schönes Bild! Fort, letzter, süsser Schmerz! Nur sein Verderben füllt Die sturmbewegte Brust! Er zieht sich beobachtend nach rechts vorn zurück. Eglantine atemlos mit dem Ring aus dem Gruftgewölbe links hinten stürzend, dessen Thür hinter ihr zuschlägt ZWEITER AUFTRITT Lysiart rechts vorn beobachtend. Eglantine Nr. 11 - Recitativ und Duett Recitativ EGLANTINE Der Gruft entronnen, atm ich wieder! Ich halte dich, du unter Todesschauern, Errungnes Unterpfand der süssen Rache! Verhängnisvoller Ring, bezeuge du, Dass Euryanthe Lieb und Treu verraten, Und grässlich büsse, der mein Herz verwarf! LYSIART für sich Was hör ich? Glück! Willkommne Höllenkunde! EGLANTINE Sie dürfen nie sich wiedersehn! Der Schlag muss fallen wie aus heitrer Luft, Zermalmen Liebe, Hoffnung, Glück, In Ewigkeit von Adolar sie trennen! Wie führ ich diesen Schlag? Blitz LYSIART rasch hervortretend Durch meine Hand! Donner, tiefstes Dunkel EGLANTINE zu seiner Linken Ich bin verloren! LYSIART Ruhig, ruhig, Bundgenossin; EGLANTINE Was willst du mir? LYSIART Dein finstres Werk vollziehn. Noch heut sollst du die Feindin elend sehn, Und Adolar gestraft, der dich gekränkt. EGLANTINE Du hast mir mein Geheimnis abgelauscht! LYSIART sich vor ihr beugend Zur Sühne beut dir Forest seine Hand, Die Fesseln wandl ich in ein Rosenband. Beherrschen sollst du diese reichen Gauen, Heil, Ehre, Leben darfst du mir vertrauen! EGLANTINE Und sprichst du wahr? LYSIART Bei Rache, Wut und Glut Des ew gen Hasses, ja! EGLANTINE Ich glaube dir! Duett EGLANTINE Komm denn, unser Leid zu rächen, Enden soll der Seele Qual! LYSIART Nimm mein feierlich Versprechen, Rächer werd ich und Gemahl! EGLANTINE Trostlos muss sie untergehn, Die mein Leben mir geraubt! LYSIART In dem Staub muss ich ihn sehn, Der zu Sternen hob sein Haupt! EGLANTINE Trostlos muss sie untergehn, Die mein Leben mir geraubt! Komm denn, unser Leid zu rächen, Enden soll der Seele Qual! LYSIART In dem Staub muss ich ihn sehn, Der zu Sternen hob sein Haupt! Nimm mein feierlich Versprechen, Enden soll der Seele Qual! BEIDE Dunkle Nacht, du hörst den Schwur! Sei mit unsrer That im Bunde! Dunkle Nacht, du hörst den Schwur! Ja, es schlägt der Rache Stunde, Rache, Rache atm ich nur! Ja, es schlägt der Rache Stunde, Sei mit unsrer That im Bunde, Dunkle Nacht! dunkle Nacht! Nacht, du hörst den Schwur? Rache atm ich nur! Beide ab rechts hinten Verwandlung Festlich erleuchtete Säulenhalle des Königsschlosses. In der Mitte ein offener Altan mit der Aussicht auf eine Mondlandschaft; Mitte rechts (offen) zum Innern des Schlosses; Mitte links (offen) allgemeiner Eingang. Vor den Eingängen eine Estrade, zu der einige Stufen führen, in der ganzen Breite des Saales. Vor der Estrade zwei Kandelaber mit brennenden Lichtern. Ein Kronleuchter mit brennenden Lichtern DRITTER AUFTRITT Adolar im Festgewande von Mitte links; allein Nr. 12 - Arie ADOLAR Wehen mir Lüfte Ruh , Strömen mir Düfte zu Seliger Zeit? Füllst du nach bangem Schmerz Wieder mein ganzes Herz, Süssestes Leid? Liebe, wie lebst du neu, Hoffen, wie webst du treu Bilder der Lust! Glaube, wie wankst du nicht, Herz, wie erbangst du nicht In meiner Brust! Herz, wie erbangst du nicht? Glaube, du wankest nicht! Sie ist mir nah! Sie ist mir nah! Mein Bangen war ein Traum! O Seligkeit, dich fass ich kaum! Ihr Auge wird mir strahlen, Ihr Himmelsreiz mir blüh n. O wie Erwartungsqualen Dies trunk ne Herz durchglüh n! Sie ist mir nah! Sie ist mir nah! Euryanthe von rechts hinten vor der Estrade, in Adolars Arme eilend VIERTER AUFTRITT Euryanthe. Adolar zu ihrer Linken Nr. 13 - Duett EURYANTHE, ADOLAR. Hin nimm die Seele mein, Atme mein Leben ein! Lass mich ganz du nur sein! Ganz bin ich dein! Hin nimm die Seele mein, Atme mein Leben ein! Hin nimm die Seele mein, Lass mich ganz du nur sein! Seufzer, wie Flammen weh n, Selig um Lind rung fleh n, Lass mich in Lust und Weh n An deiner Brust vergeh n. Hin nimm die Seele mein, Atme mein Leben ein! Hin nimm die Seele mein, Lass mich ganz du nur sein! Atme mein Leben ein, Ganz bin ich dein! Hin nimm die Seele mein, Lass mich ganz du nur sein! Hin nimm die Seele mein, Mein Leben atme ein! Lass mich in Lust und Weh n, An deiner Brust vergeh n! Sie verweilen in Umarmung Zwei Trabanten mit Lanzen, kommen von ausserhalb der Thür Mitte rechts und nehmen draussen Stellung als Wachen. Acht Trabanten mit Lanzen, marschieren von Mitte links herein und nehmen, indem sie die drei Mittelöffnungen gangbar lassen, auf der Estrade Stellung. Zwei Trabanten mit Lanzen, bleiben ausserhalb Mitte links als Wachen sichtbar. Die Edlen und Ritter kommen vor der Estrade von rechts und links und nehmen auf der rechten und linken Seite Aufstellung; sie begrüssen Euryanthe und Adolar. Adolar führt Euryanthe bei den Edlen und Rittern umher FÜNFTER AUFTRITT Adolar. Euryanthe. Edle. Ritter. Trabanten Nr. 14 - Finale CHOR Leuchtend füllt die Königshallen Euryanthes Wunderpracht. Stern der Anmut, hold vor allen, Strahle rein durch jede Nacht! Sechs Königspagen erscheinen von Mitte rechts und bilden auf den Stufen Spalier. Der König erscheint mit vier Fürsten von ebenda SECHSTER AUFTRITT Die Vorigen. Der König tritt vor und nimmt die Mitte. Adolar und Euryanthe zu seiner Rechten. Die vier Fürsten nehmen hinter dem König Aufstellung. Die sechs Königspagen treten zwischen die beiden Kandelaber und bleiben dort bis zum Schluss des Aufzugs. Die Trabanten salutieren. Die Edlen und Ritter stehen zur Rechten und Linken CHOR Leuchtend füllt die Königshallen Euryanthes Wunderpracht. Stern der Anmut, hold vor allen, Strahle rein durch jede Nacht! KÖNIG Ich grüss Euch, edles Fräulein! EURYANTHE O mein König, Wie mild und väterlich blickt Ihr auf mich! KÖNIG Du holdes Kind, nichts trübe deine Ruh ! EURYANTHE Es schützen mich die Strahlen Eurer Huld! Doch, mein Gebieter, Frankreichs hohe Frauen Vermiss ich hier. KÖNIG Bald heissen sie Euch alle Willkommen, freudig hoff ich s, hoff es fest. Acht Pagen Lysiarts kommen von Mitte links und bilden auf den Stufen Spalier. Zwei Herolde von Mitte links, jeder mit einem Banner mit dem Wappen von Nevers und Rethel, treten bis an den Rand der Stufen vor. Lysiart tritt von Mitte links zwischen den Herolden durch bis an den Rand der Stufen. Zwei Ritter Lysiarts von Mitte links, hinter ihm SIEBENTER AUFTRITT Die Vorigen. Lysiart. Zwei Ritter, zwei Herolde und acht Pagen Lysiarts. Alle Anwesenden wenden sich erstaunt nach hinten und geben Raum LYSIART Mein König! Er tritt vor, dem König zur Linken CHOR Jetzt schlägt der Entscheidung Stunde; Allwissender, verleih der Wahrheit Sieg! EURYANTHE Mich fasst ein Grauen! ADOLAR UND KÖNIG Mut und Vertrauen! LYSIART Vernimm, es muss ja sein, von meinem Munde Ein Glück, das ich so gern verschwieg Die Lande Adolars sind mein! ADOLAR Dies Engelsantlitz straft dich Lügen. Nein! ADOLAR UND KÖNIG Es ist unmöglich! EURYANTHE Wie, mein Adolar, Was ist geschehn? O löse dieses Bangen? ADOLAR Komm an mein Herz! Von deinem Arm umfangen, Der Hölle Trotz! Dies Engelsantlitz kann nicht lügen, Nein, nein, nein! es ist unmöglich, nein! LYSIART Beweise bring ich dar. CHOR Weh, Euryanthe, was hast du begangen? LYSIART Bewundernswürdig ist s gelungen, Dies stolze Herz im Sturm errungen! EURYANTHE Was hör ich! Lysiart! Errungen! Ihr! Mein Herz? - Den Blick erhobt Ihr nicht zu mir. LYSIART So schnöde nun, so liebreich noch zur Stunde? ADOLAR Zur Fehde! zur Fehde! ADOLAR, CHOR Zur Fehde! zur Fehde! zur Fehde! KÖNIG Nein, gebt klare Kunde, Zeigt den Beweis! LYSIART zieht einen Ring vom Finger Dies Unterpfand Der Liebe reichte mir die schönste Hand, Mit Trauer muss ich wiedergeben, Was ich empfangen ohne Widerstand! Er giebt Euryanthe den Ring EURYANTHE den Ring emporhebend und auf die Kniee stürzend Der du die Unschuld kennst, beschütz mein Leben! Und wollte mich ein Höllennetz umweben, Du rettest mich, wirst aus der Nacht mich heben! ADOLAR zu Lysiart Nein, du errangst den Ring durch List! Indem er Euryanthe aufhebt Mein reiner Engel, kannst du zagen? LYSIART Wer sonst als Euryanth und du kann sagen, Was dieses Rings Bedeutung ist? Die Gruft nur kannte Emmas Thaten! ADOLAR Sprich, Euryanthe! hast du mich verraten? EURYANTHE O Unglücksel ge! ADOLAR Brachst du deinen Eid? EURYANTHE Ich that es. ADOLAR Schlange! EURYANTHE Unermesslich Leid! Doch treulos bin ich nicht. ADOLAR Verworfne du, Verstumme! LYSIART Höre mir mit Fassung zu. Die Wahrheit sprech ich kühn und frei In heller Mondennacht, am letzten Mai - ADOLAR Vollende nicht, nimm alles, alles hin, Mein Leben mit! EURYANTHE wendet sich, an Adolar vorüber, auf die rechte Ecke Ach! CHOR Ha, die Verräterin! O Unthat, grässlichste von allen, Die jemals auf der Welt erhört! Der Treue Bündnis frech zerstört, Von Himmelshöh n in Staub gefallen! EURYANTHE Lass mich empor zum Lichte wallen, Du, der die inn re Stimme hört! KÖNIG Mein Glaub an Tugend ist zerstört, Denn dieser Engel konnte fallen. EURYANTHE Lass mich empor zum Lichte wallen, Du, der die inn re Stimme hört! LYSIART Triumph! mein Flehen ist erhört Und meinen Sieg sehn diese Hallen! ADOLAR Fern in das Elend will ich wallen, Wo niemand meinen Namen hört. CHOR O Unthat, grässlichste von allen, Der Treue Bündnis frech zerstört, Von Himmelshöh n in Staub gefallen! Ha, die Verräterin! O Unthat, grässlichste von allen, Die jemals auf der Welt erhört! Der Treue Bündnis frech zerstört, Von Himmelshöh n in Staub gefallen, Der Treue Bund zerstört! LYSIART kniet nieder Verleih mein Recht mir, grosser König, nun! Als Graf zu Nevers huldigt dir dein Knecht! Die zwei Herolde Lysiarts mit ihren Bannern treten von der Estrade herunter und nehmen hinter dem König Aufstellung. Die zwei Ritter Lysiarts nähern sich ihrem Herrn und treten ihm zur Linken KÖNIG nimmt das Banner des ihm zur Linken stehenden Herolds, schwenkt es über Lysiart und giebt es dem Herold zurück Nimm hin das neue Leh n, üb Treu und Recht! Dir möge Gott nach deinen Werken thun. Er ergreift das Banner des ihm zur Rechten stehenden Herolds, schwenkt es über Lysiart und giebt es dem Herold zurück. Die Versammelten Adolar, Pagen, Herolde und Wachen ausgenommen, ziehen die Schwerter und halten sie mit beiden Händen vor die Brust, die Spitze nach oben gerichtet. Nach Beendigung der Belehnung werden die Schwerter eingesteckt. Lysiart erhebt sich. Die links stehenden Edlen des Königs ziehen sich nach rechts hinüber zu den andern. Das Gefolge Lysiarts nimmt die linke Seite. Die Pagen Lysiarts treten vor und nehmen hinter den Rittern links Aufstellung ADOLAR ergreift Euryanthe bei der linken Hand und will sie mit sich fortziehen Komm Euryanth ? EURYANTHE Willkommenes Gebot! Ich folge dir in Not und Tod! CHOR Wir alle wollen mit dir gehn, Wir all sind dein mit Gut und Blut. ADOLAR O lasst, kein Auge soll mich sehn! LYSIART Könnt ich nun ganz ihn elend sehn! CHOR Wir alle wollen mit dir gehn, Wir all sind dein mit Gut und Blut! KÖNIG Mein Jüngling, du willst von mir gehn? CHOR Wir alle wollen mit dir gehn, Wir all sind dein mit Gut und Blut! ADOLAR O lasst, kein Auge soll mich sehn! LYSIART Könnt ich nun ganz ihn elend sehn! Wie schwelgt in seiner Qual die Wut! EURYANTHE Vernimm, o Gott, der Unschuld Flehn, Es wallt dein Kind in deiner Hut. ADOLAR Fern in das Elend will ich wallen, Wo niemand meinen Namen hört! KÖNIG Mein Jüngling, du willst von mir gehn? LYSIART Könnt ich nun ganz ihn elend sehn, Wie schwelgt in seiner Qual die Wut! EURYANTHE Vernimm, o Gott, der Unschuld Flehn! Es wallt dein Kind in seiner Hut! CHOR Wir alle wollen mit dir gehn, Wir all sind dein mit Gut und Blut! Ha, die Verräterin! O Unthat! KÖNIG Mein Jüngling, du willst von mir gehn? ADOLAR O lasst! kein Auge soll mich sehn! LYSIART Könnt ich nun ganz ihn elend sehn! CHOR O Unthat, grässlichste von allen, Die jemals auf der Welt erhört! Der Treue Bündnis frech zerstört, Von Himmelshöh n in Staub gefallen! ALLE Du gleissend Bild, du bist enthüllt. Schnell folgte Strafe deinen Thaten! Du bist enthüllt, du gleissend Bild! EURYANTHE Hört niemand denn der Unschuld Flehn? Sie wendet sich flehend und ihre Unschuld beteuernd zu den Rittern. Alle weisen sie barsch zurück und sie wirft sich dem König zu Füssen. Der König wendet sich kurz von ihr ab. Euryanthe wankt nach vorn, sinkt auf die Knie und hebt die gefalteten Hände empor ALLE Weh! das Mass des Frevels ist gefüllt! Du gleissend Bild, du bist enthüllt! Das Mass des Frevels ist gefüllt! Weh dir! die Lieb und Treu verraten! Du gleissend Bild, du bist enthüllt! Adolar nähert sich Euryanthe, ergreift sie bei der Hand und zieht sie nach Mitte links ab Weber,Carl Maria von/Euryanthe/III